| Author |
Type |
Title |
Volume |
Formats |
Jackson, Timothy L. | Essay | Escaping from a Black Hole: Facing Depression in Academia | 15.3, 2009 | HTML
PDF | Jakubowski, Joseph R. | Article | Spectral Meter: Dramatizing Entrainment and Communicating Form in Gérard Grisey’s Vortex Temporum I (1994–96) | 24.2, 2018 | HTML
PDF | James, Tess | International Report | Celibidache and Bruckner | 4.5, 1998 | HTML
PDF
ASCII | James, Tess | Essay | Hans Rott (1858–1884)—The Missing Link Between Bruckner and Mahler | 5.1, 1999 | HTML
PDF | James, Tess | International Report | Review of Zbigniew Preisner, Requiem for My Friend | 5.4, 1999 | HTML
PDF
ASCII | Jan, Steven | Article | Music, Memory and Memes in the Light of Calvinian Neuroscience | 17.2, 2011 | HTML
PDF | Jarvis, Brian Edward | Article | Prioritizing Narrative Structure in Large-Scale Film-Music Analysis: A Case Study of Dramatic Irony in Barton Fink | 29.1, 2023 | HTML
PDF | Jemian, Rebecca | Review | Review of Harald Krebs and Sharon Krebs, Josephine Lang: Her Life and Songs (Oxford University Press, 2007) | 16.4, 2010 | HTML
PDF | Jenkins, J. Daniel | Review | Review of David Schiff, The Music of Elliott Carter, 2nd ed. (Cornell University Press, 1998) | 6.1, 2000 | HTML
PDF
ASCII | Jenkins, J. Daniel | Article | After the Harvest: Carter’s Fifth String Quartet and the Late Late Style | 16.3, 2010 | HTML
PDF | Jenkins, J. Daniel | Review | Review of Guy Capuzzo, Elliott Carter’s What Next?: Communication, Cooperation, and Separation (University of Rochester Press, 2012) | 19.2, 2013 | HTML
PDF | Jensen-Moulton, Stephanie | Essay | Music Fundamentals: Three Classes with Daniel Trush | 15.3, 2009 | HTML
PDF | Jeßulat, Ariane | Essay | Parsimonious Voice Leading and the Stimmführungsmodelle | 24.4, 2018 | HTML
PDF | Johnson, Shersten | Essay | Notational Systems and Conceptualizing Music: A Case Study of Print and Braille Notation | 15.3, 2009 | HTML
PDF | Johnson, Thomas | Article | Tonality as Topic: Opening A World of Analysis for Early Twentieth-Century Modernist Music | 23.4, 2017 | HTML
PDF | Johnson, Timothy | Article | The Computer Presentation of Musical Research: A Case Study | 1.3, 1995 | HTML
PDF
ASCII | Johnston, Blair | Article | Between Romanticism and Modernism and Postmodernism: George Crumb’s Black Angels | 18.2, 2012 | HTML
PDF | Johnston, Blair | Article | Modal Idioms and Their Rhetorical Associations in Rachmaninoff’s Works | 20.4, 2014 | HTML
PDF | Judd, Cristle Collins | Article | “To Discourse Learnedly” and “Compose Beautifully”: Thoughts on Gioseffo Zarlino, Theory, and Practice | 19.3, 2013 | HTML
PDF | Judd, Robert | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | HTML
PDF
ASCII | Judd, Robert | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | HTML
PDF
ASCII | Judd, Robert | Article | Composers, Performers and Notation: Solo Music Notations in Europe, 1500-1700 | 0.8, 1994 | HTML
PDF
ASCII |
