| Author |
Type |
Title |
Volume |
Formats |
Aarden, Bret and Paul T. von Hippel | Article | Rules for Chord Doubling (and Spacing): Which Ones Do We Need? | 10.2, 2004 | HTML/Frames
HTML | Aaslid, Vilde | Article | Sociable Musicopoetics in Vijay Iyer and Mike Ladd’s In What Language | 28.3, 2022 | HTML
PDF | Adamowicz, Emily J. | Essay | Subjectivity and Structure in Milton Babbitt’s Philomel | 17.2, 2011 | HTML
PDF | Adams, Kyle | Article | Aspects of the Music/Text Relationship in Rap | 14.2, 2008 | HTML
PDF | Adams, Kyle | Commentary | “People’s Instinctive Assumptions and the Paths of Narrative”: A Response to Justin Williams | 15.2, 2009 | HTML
PDF | Adams, Kyle | Article | On the Metrical Techniques of Flow in Rap Music | 15.5, 2009 | HTML
PDF | Adams, Kyle | Article | Playing with Beats and Playing with Cats: Meow the Jewels, Remixes, and Reinterpretations | 22.3, 2016 | HTML
PDF | Adams, Kyle | Article | Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop | 26.2, 2020 | HTML
PDF | Agawu, Kofi | Article | Analyzing Music Under the New Musicological Regime | 2.4, 1996 | HTML
PDF
ASCII | Agawu, Kofi | Article | Response to 1999 SMT International Plenary Session | 6.1, 2000 | HTML
PDF
ASCII | Agawu, Kofi | Commentary | Commentary | 16.4, 2010 | HTML
PDF | Agmon, Eytan | Commentary | Conventional Harmonic Wisdom and the Scope of Schenkerian Theory: A Reply to John Rothgeb (MTO 2.1) | 2.3, 1996 | HTML
PDF
ASCII | Agmon, Eytan | Article | Beethoven’s Op. 81a and the Psychology of Loss | 2.4, 1996 | HTML
PDF
ASCII | Agmon, Eytan | Article | The Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord | 3.1, 1997 | HTML
PDF
ASCII | Agmon, Eytan | Article | “Aus Mozart gestohlen”: Beethoven and Die Entführung aus dem Serail | 29.2, 2023 | HTML
PDF | Agrawal, Susan Mina | Review | Review of John Irving, Mozart: The “Haydn” Quartets | 6.3, 2000 | HTML
PDF | Albrecht, Joshua | Review | Review of Elizabeth Margulis, On Repeat: How Music Plays the Mind (Oxford, 2013) | 20.4, 2014 | HTML
PDF | Albrecht, Joshua D. | Article | Expressive Meaning and the Empirical Analysis of Musical Gesture: The Progressive Exposure Method and the Second Movement of Beethoven’s Pathétique Sonata | 24.3, 2018 | HTML
PDF | Alcalde, Bruno | Article | Mixture Strategies: An Analytical Framework for Musical Hybridity | 28.1, 2022 | HTML
PDF | Alpern, Wayne | Review | Review Article, “Will the Real Anton Webern Please Stand Up?”: Anne C. Shreffler, Webern and the Lyric Impulse (Oxford University Press, 1994) | 4.2, 1998 | HTML/Frames
HTML
PDF
ASCII | Alphonce, Bo H. | Article | Dissonance and Schumann’s Reckless Counterpoint | 0.7, 1994 | HTML
PDF
ASCII | Amiot, Emmanuel | Article | Discrete Fourier Transform and Bach’s Good Temperament | 15.2, 2009 | HTML
PDF | Amiot, Emmanuel and Gilles Baroin | Article | Old and New Isometries between Pc sets in the Planet-4D Model | 21.3, 2015 | HTML
PDF | Andersen, Drake | Article | “What can they have to do with one another?”: Approaches to Analysis and Performance in John Cage’s Four2 | 23.4, 2017 | HTML
PDF | Andersen, Drake | Article | (Per)forming Open Form: A Case Study with Earle Brown’s Novara | 26.3, 2020 | HTML
PDF | Anku, Willie | Article | Circles and Time: A Theory of Structural Organization of Rhythm in African Music | 6.1, 2000 | HTML/Frames
HTML
PDF
ASCII | Argentino, Joe | Review | Review of Jack Boss, Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea (Cambridge University Press, 2014) | 21.4, 2015 | HTML
PDF | Argentino, Joe R. | Article | Tripartite Structures in Schoenberg’s A Survivor from Warsaw | 19.1, 2013 | HTML
PDF | Arkle, Genevieve Robyn | Article | The Turn in the Finale of Mahler’s Ninth Symphony as Allusion to Wagner’s Parsifal | 30.1, 2024 | HTML
PDF | Arlin, Mary I. | Review | Review of L. Poundie Burstein and Joseph N. Straus, Concise Introduction to Tonal Harmony (W. W. Norton, 2016) | 22.3, 2016 | HTML
PDF | Atkinson, Sean | Article | Canons, Augmentations, and Their Meaning in Two Works by Steve Reich | 17.1, 2011 | HTML
PDF | Atkinson, Sean | Article | Soaring Through the Sky: Topics and Tropes in Video Game Music | 25.2, 2019 | HTML
PDF | Attas, Robin | Article | Metaphors in Motion: Agents and Representation in Transformational Analysis | 15.1, 2009 | HTML
PDF | Attas, Robin | Article | Sarah Setting the Terms: Defining Phrase in Popular Music | 17.3, 2011 | HTML
PDF | Attas, Robin | Review | Review of Ron Moy, Authorship Roles in Popular Music: Issues and Debates (Routledge, 2015) | 22.1, 2016 | HTML
PDF | Attas, Robin | Essay | Music Theory as Social Justice: Pedagogical Applications of Kendrick Lamar’s To Pimp A Butterfly | 25.1, 2019 | HTML
PDF | Attas, Robin | Review | Review of Dylan Robinson, Hungry Listening: Resonant Theory for Indigenous Sound Studies (University of Minnesota Press, 2020) | 26.4, 2020 | HTML
PDF | Attas, Robin | Essay | The Many Paths of Decolonization: Exploring Colonizing and Decolonizing Analyses of a Tribe Called Red’s “How I Feel” | 28.2, 2022 | HTML
PDF | Attinello, Paul | Essay | Time, Work, and Chronic Illness | 15.3, 2009 | HTML
PDF | Auerbach, Brent | Article | Pedagogical Applications of the Video Game Dance Dance Revolution to Aural Skills Instruction | 16.1, 2010 | HTML
PDF | Aversa, Eleanor | Review | Review of David Huron, Sweet Anticipation (MIT Press Books, 2006): Implications for Composers | 15.3, 2009 | HTML
PDF | Aziz, Andrew | Review | Review of William Caplin, Analyzing Classical Form: An Approach for the Classroom (Oxford University Press, 2013) | 20.1, 2014 | HTML
PDF | Aziz, Andrew | Article | Billy Joel’s Enharmonic Duplicity | 28.2, 2022 | HTML
PDF | Aziz, Andrew I. | Article | The Evolution of Chopin’s Sonata Forms: Excavating the Second Theme Group | 21.4, 2015 | HTML
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