| Author |
Type |
Title |
Volume |
Formats |
Cairns, Zachary | Article | Switching the Backbeat: The Quick Flip and Polymetric Pogo in 1980s-era Rock Music | 28.1, 2022 | HTML
PDF | Cairns, Zachary A. | Essay | A Glimpse at Iuriĭ Kholopov’s Garmonicheskiĭ analiz | 20.3, 2014 | HTML
PDF | Callahan, Michael | Article | Teaching and Learning Undergraduate Music Theory at the Keyboard: Challenges, Solutions, and Impacts | 21.3, 2015 | HTML
PDF | Callahan, Michael R. | Article | Sentential Lyric-Types in the Great American Songbook | 19.3, 2013 | HTML
PDF | Callender, Clifton | Article | Performing the Irrational: Paul Usher’s Arrangement of Nancarrow’s Study No. 33, Canon 2: \(\sqrt{2}\) | 20.1, 2014 | HTML
PDF | Callender, Clinton | Article | Continuous Transformations | 10.3, 2004 | PDF | Canonne, Clément | Article | Rehearsing Free Improvisation? An Ethnographic Study of Free Improvisers at Work | 24.4, 2018 | HTML
PDF | Cantrick, Robert | Commentary | Commentary on Nicholas Cook, “Theorizing Musical Meaning,” Music Theory Spectrum 23/2 (2001) | 8.2, 2002 | HTML
PDF | Caplin, William E. | Article | Beethoven’s “Tempest” Exposition: A Response to Janet Schmalfeldt | 16.2, 2010 | HTML
PDF | Capuzzo, Guy | Review | Review of Robert D. Morris, Class Notes for Advanced Atonal Music Theory (Frog Peak Music, 2001) | 8.3, 2002 | HTML
PDF | Capuzzo, Guy | Article | Pat Martino’s The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory | 12.1, 2006 | PDF | Capuzzo, Guy | Article | Maximally Alpha-Like Operations | 14.3, 2008 | HTML
PDF | Carlson, Mark | Review | Review of Alexandra Pierce, Deepening Musical Performance through Movement (Indiana University Press, 2007) | 17.1, 2011 | HTML
PDF | Carr, Maureen A. | Commentary | “Who’s on First?”: Response to David H. Smyth’s review of Stravinsky’s Histoire du soldat: A Facsimile of the Sketches, edited by Maureen A. Carr (Middleton, Wisconsin: A-R Editions, 2005) | 12.3, 2006 | HTML
PDF | Carter, David S. | Article | Generic Norms, Irony, and Authenticity in the AABA Songs of the Rolling Stones, 1963–1971 | 27.4, 2021 | HTML
PDF | Carter-Ényì, Aaron | Article | Contour Recursion and Auto-Segmentation | 22.1, 2016 | HTML
PDF | Carter-Ényì, Aaron and Gilad Rabinovitch | Article | Onset and Contiguity: Melodic Feature Reduction and Pattern Discovery | 27.4, 2021 | HTML
PDF | Casacuberta, David | Review | Review of David Temperley, Music and Probability (MIT Press, 2007) | 16.2, 2010 | HTML
PDF | Castine, Peter | International Report | Review of John Cage Symposium (Berlin, Germany) | 2.3, 1996 | HTML
PDF
ASCII | Castine, Peter | International Report | Review of “The Beginnings of Serial Music,” Berlin, Germany, June 20–25, 1996 | 2.5, 1996 | HTML
PDF
ASCII | Chandler, Oliver | Article | “Octatonic” Voice Leading and Diatonic Function in the Allegro molto from Elgar’s String Quartet in E minor, op. 83 | 26.1, 2020 | HTML
PDF | Chenette, Timothy | Article | What Are the Truly Aural Skills? | 27.2, 2021 | HTML
PDF | Chenette, Timothy K. | Article | Hearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum | 18.4, 2012 | HTML
PDF | Chenette, Timothy K. | Review | Review of Ronald Woodley (director), Johannes Tinctoris: Complete Theoretical Works (http://earlymusictheory.org/Tinctoris/) | 21.3, 2015 | HTML
PDF | Cheong, Wai-Ling | International Report | Theory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music | 3.4, 1997 | HTML
PDF
ASCII | Cherlin, Michael | Review | Review of Sabine Feisst, Schoenberg’s New World: The American Years (Oxford University Press, 2011) | 17.4, 2011 | HTML
PDF | Childs, Adrian P. | Article | Structural and Transformational Properties of All-Interval Tetrachords | 12.4, 2006 | HTML
PDF | Chiu, Matt | Article | Macroharmonic Progressions through the Discrete Fourier Transform: An Analysis from Maurice Duruflé’s Requiem | 27.3, 2021 | HTML
PDF | Christensen, Thomas | Review | Review of Lee Rothfarb, August Halm: A Critical and Creative Life in Music (University of Rochester Press, 2009) | 17.4, 2011 | HTML
PDF | Christian, Bryan | Article | Combination-Tone Class Sets and Redefining the Role of les Couleurs in Claude Vivier’s Bouchara | 20.2, 2014 | HTML
PDF | Chua, Daniel K. L. | Review | Review of Mark Evan Bonds, Absolute Music: The History of an Idea (Oxford, 2014) | 21.2, 2015 | HTML | Chung, Andrew J. | Article | What is Musical Meaning? Theorizing Music as Performative Utterance | 25.1, 2019 | HTML
PDF | Clampitt, David | International Report | Report: An International Symposium of Music and Mathematics (Bucharest, Romania) | 1.1, 1995 | HTML
PDF
ASCII | Clampitt, David and Thomas Noll | Article | Modes, the Height-Width Duality, and Handschin’s Tone Character | 17.1, 2011 | HTML
PDF | Clark, Suzannah | Review | Review of Susan Wollenberg, Schubert’s Fingerprints: Studies in the Instrumental Works (Ashgate, 2011) | 19.3, 2013 | HTML
PDF | Clarke, David | Article | North Indian Classical Music and Lerdahl and Jackendoff’s Generative Theory – a Mutual Regard | 23.3, 2017 | HTML
PDF | Clayton, Martin | Article | Theory and Practice of Long-form Non-isochronous Meters: The Case of the North Indian rūpak tāl | 26.1, 2020 | HTML
PDF | Clement, Brett | Review | Review of Brad Osborn, Everything in its Right Place: Analyzing Radiohead (Oxford University Press, 2016) | 23.2, 2017 | HTML
PDF | Clement, Brett G. | Article | Scale Systems and Large-Scale Form in the Music of Yes | 21.1, 2015 | HTML
PDF | Clendinning, Jane | Review | Review of Miguel A. Roig-Francoli, “Harmonic and Formal Processes in Ligeti’s Net-Structure Compositions,” Music Theory Spectrum (17/2), 242–267 | 2.5, 1996 | HTML
PDF
ASCII | Cochrane, Richard J. | Commentary | The Ideal Four Minutes and Thirty-Three Seconds: Response to John Covach (MTO 0.11) | 1.1, 1995 | HTML
PDF
ASCII | Cochrane, Richard J. | Article | The Phases of Fire | 1.1, 1995 | HTML
PDF
ASCII | Code, David Loberg | Article | Listening for Schubert’s “Doppelgängers” | 1.4, 1995 | HTML
PDF
ASCII | Cohen, Gilad | Article | Expansive Form in Pink Floyd’s “Dogs” | 21.2, 2015 | HTML
PDF | Cohn, Richard | Article | Music Theory’s New Pedagogability | 4.2, 1998 | HTML/Frames
HTML
PDF
ASCII | Cohn, Richard | Article | A Tetrahedral Graph of Tetrachordal Voice-Leading Space | 9.4, 2003 | PDF
PDF/Frames | Cohn, Richard | Article | A Platonic Model of Funky Rhythms | 22.2, 2016 | HTML
PDF | Collins, Denis B. | Article | Horizontal-Shifting Counterpoint and Parallel-Section Constructions in Contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue | 24.4, 2018 | HTML
PDF | Collins, Nick | Article | An Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space | 10.3, 2004 | HTML
PDF | Comen, Craig | Review | Review of Daniel Chua, Beethoven & Freedom (Oxford University Press, 2017), and Naomi Waltham-Smith, Music and Belonging Between Revolution and Restoration (Oxford University Press, 2017) | 24.3, 2018 | HTML
PDF | Conklin, Andrew | Article | Writing Wrong Notes: Chromatic Clashes in the Music of Tune-Yards | 25.3, 2019 | HTML
PDF | Conlee, Jade | Report | Conference Report: “Ruptures and Convergences: Music Studies and the Anthropocene” | 29.2, 2023 | HTML
PDF | Cook, Karen M. | Article | 8-Bit Affordances: Jun Chikuma’s Soundtrack to Faxanadu | 29.3, 2023 | HTML
PDF | Cook, Nicholas | Article | Between Process and Product: Music and/as Performance | 7.2, 2001 | HTML/Frames
HTML
PDF | Cook, Nicholas | Commentary | Reply to Robert Cantrick | 8.2, 2002 | HTML
PDF | Cook, Nicholas | Article | Prompting Performance: Text, Script, and Meaning in Bryn Harrison’s être-temps | 11.1, 2005 | HTML/Frames
HTML
PDF | Cook, Nicholas | Article | Introduction: Refocusing Theory | 18.1, 2012 | HTML
PDF | Cook, Robert C. | Article | Nature’s Voice in Crumb’s An Idyll for the Misbegotten | 23.1, 2017 | HTML
PDF | Cook, Scott Alexander | Article | Moving Through Triadic Space: An Examination of Bryars’s Seemingly Haphazard Chord Progressions | 15.1, 2009 | HTML
PDF | Covach, John | Article | Destructuring Cartesian Dualism in Musical Analysis | 0.11, 1994 | HTML
PDF
ASCII | Covach, John | Commentary | Musical Worlds and the Metaphysics of Analysis | 1.1, 1995 | HTML
PDF
ASCII | Covach, John | Article | Schoenberg’s Turn to an “Other” World | 1.5, 1995 | HTML
PDF
ASCII | Covach, John | Essay | To MOOC or Not To MOOC? | 19.3, 2013 | HTML
PDF | Covach, John | Review | Review of Robert Freeman, The Crisis of Classical Music in America: Lessons from the Life in the Education of Musicians (Rowman & Littlefield, 2014) | 21.2, 2015 | HTML | Cox, Arnie | Article | Embodying Music: Principles of the Mimetic Hypothesis | 17.2, 2011 | HTML
PDF | Cox, Arnie | Review | Review of Steve Larson, Musical Forces: Motion, Metaphor, and Meaning in Music (Indiana University Press, 2012) | 19.1, 2013 | HTML
PDF | Cramer, Alfred | Article | The Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern: Demonstration Using Auditory Streaming | 9.2, 2003 | HTML/Frames
HTML
PDF | Cubero, Diego | Article | Inwardness and Inner Melodies in Brahms’s Piano Works | 23.1, 2017 | HTML
PDF | Cubero, Diego | Article | Romantic Periods | 27.4, 2021 | HTML
PDF | Cuciurean, John | Review | Review of Mark Lindley’s and Ronald Turner-Smith’s Mathematical Models of Musical Scales: A New Approach (Verlag fuer systematische Musikwissenschaft, 1993) | 1.4, 1995 | HTML
PDF
ASCII | Cumming, Julie E. | Essay | Renaissance Improvisation and Musicology | 19.2, 2013 | HTML
PDF | Cutler, Timothy | Essay | Cryptic Audiodiversity and the Dissonant Perfect Unison | 16.1, 2010 | HTML
PDF |
