Author Index    [Volume Index]


A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z |



Author Type Title  Volume  Formats
Cairns, ZacharyArticleSwitching the Backbeat: The Quick Flip and Polymetric Pogo in 1980s-era Rock Music28.1, 2022HTML
PDF
Cairns, Zachary A. EssayA Glimpse at Iuriĭ Kholopov’s Garmonicheskiĭ analiz20.3, 2014HTML
PDF
Callahan, MichaelArticleTeaching and Learning Undergraduate Music Theory at the Keyboard: Challenges, Solutions, and Impacts21.3, 2015HTML
PDF
Callahan, Michael R. ArticleSentential Lyric-Types in the Great American Songbook19.3, 2013HTML
PDF
Callender, CliftonArticlePerforming the Irrational: Paul Usher’s Arrangement of Nancarrow’s Study No. 33, Canon 2: \(\sqrt{2}\)20.1, 2014HTML
PDF
Callender, ClintonArticleContinuous Transformations10.3, 2004PDF
Canonne, ClémentArticleRehearsing Free Improvisation? An Ethnographic Study of Free Improvisers at Work24.4, 2018HTML
PDF
Cantrick, RobertCommentaryCommentary on Nicholas Cook, “Theorizing Musical Meaning,” Music Theory Spectrum 23/2 (2001)8.2, 2002HTML
PDF
Caplin, William E.ArticleBeethoven’s “Tempest” Exposition: A Response to Janet Schmalfeldt16.2, 2010HTML
PDF
Capuzzo, GuyReviewReview of Robert D. Morris, Class Notes for Advanced Atonal Music Theory (Frog Peak Music, 2001)8.3, 2002HTML
PDF
Capuzzo, GuyArticlePat Martino’s The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory12.1, 2006PDF
Capuzzo, GuyArticleMaximally Alpha-Like Operations14.3, 2008HTML
PDF
Carlson, MarkReviewReview of Alexandra Pierce, Deepening Musical Performance through Movement (Indiana University Press, 2007) 17.1, 2011HTML
PDF
Carr, Maureen A.Commentary“Who’s on First?”: Response to David H. Smyth’s review of Stravinsky’s Histoire du soldat: A Facsimile of the Sketches, edited by Maureen A. Carr (Middleton, Wisconsin: A-R Editions, 2005)12.3, 2006HTML
PDF
Carter, David S.ArticleGeneric Norms, Irony, and Authenticity in the AABA Songs of the Rolling Stones, 1963–197127.4, 2021HTML
PDF
Carter-Ényì, AaronArticleContour Recursion and Auto-Segmentation22.1, 2016HTML
PDF
Carter-Ényì, Aaron and Gilad RabinovitchArticleOnset and Contiguity: Melodic Feature Reduction and Pattern Discovery27.4, 2021HTML
PDF
Casacuberta, DavidReviewReview of David Temperley, Music and Probability (MIT Press, 2007) 16.2, 2010HTML
PDF
Castine, PeterInternational ReportReview of John Cage Symposium (Berlin, Germany)2.3, 1996HTML
PDF
ASCII
Castine, PeterInternational ReportReview of “The Beginnings of Serial Music,” Berlin, Germany, June 20–25, 19962.5, 1996HTML
PDF
ASCII
Chandler, OliverArticle“Octatonic” Voice Leading and Diatonic Function in the Allegro molto from Elgar’s String Quartet in E minor, op. 8326.1, 2020HTML
PDF
Chenette, TimothyArticleWhat Are the Truly Aural Skills?27.2, 2021HTML
PDF
Chenette, Timothy K.ArticleHearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum18.4, 2012HTML
PDF
Chenette, Timothy K.ReviewReview of Ronald Woodley (director), Johannes Tinctoris: Complete Theoretical Works (http://earlymusictheory.org/Tinctoris/)21.3, 2015HTML
PDF
Cheong, Wai-LingInternational ReportTheory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music3.4, 1997HTML
PDF
ASCII
Cherlin, MichaelReviewReview of Sabine Feisst, Schoenberg’s New World: The American Years (Oxford University Press, 2011)17.4, 2011HTML
PDF
Childs, Adrian P.ArticleStructural and Transformational Properties of All-Interval Tetrachords12.4, 2006HTML
PDF
Chiu, MattArticleMacroharmonic Progressions through the Discrete Fourier Transform: An Analysis from Maurice Duruflé’s Requiem27.3, 2021HTML
PDF
Christensen, ThomasReviewReview of Lee Rothfarb, August Halm: A Critical and Creative Life in Music (University of Rochester Press, 2009)17.4, 2011HTML
PDF
Christian, BryanArticleCombination-Tone Class Sets and Redefining the Role of les Couleurs in Claude Vivier’s Bouchara20.2, 2014HTML
PDF
Chua, Daniel K. L.ReviewReview of Mark Evan Bonds, Absolute Music: The History of an Idea (Oxford, 2014)21.2, 2015HTML
Chung, Andrew J.ArticleWhat is Musical Meaning? Theorizing Music as Performative Utterance25.1, 2019HTML
PDF
Clampitt, DavidInternational ReportReport: An International Symposium of Music and Mathematics (Bucharest, Romania)1.1, 1995HTML
PDF
ASCII
Clampitt, David and Thomas NollArticleModes, the Height-Width Duality, and Handschin’s Tone Character17.1, 2011HTML
PDF
Clark, SuzannahReviewReview of Susan Wollenberg, Schubert’s Fingerprints: Studies in the Instrumental Works (Ashgate, 2011)19.3, 2013HTML
PDF
Clarke, DavidArticleNorth Indian Classical Music and Lerdahl and Jackendoff’s Generative Theory – a Mutual Regard 23.3, 2017HTML
PDF
Clayton, MartinArticleTheory and Practice of Long-form Non-isochronous Meters: The Case of the North Indian rūpak tāl26.1, 2020HTML
PDF
Clement, BrettReviewReview of Brad Osborn, Everything in its Right Place: Analyzing Radiohead (Oxford University Press, 2016)23.2, 2017HTML
PDF
Clement, Brett G.ArticleScale Systems and Large-Scale Form in the Music of Yes21.1, 2015HTML
PDF
Clendinning, JaneReviewReview of Miguel A. Roig-Francoli, “Harmonic and Formal Processes in Ligeti’s Net-Structure Compositions,” Music Theory Spectrum (17/2), 242–2672.5, 1996HTML
PDF
ASCII
Cochrane, Richard J.CommentaryThe Ideal Four Minutes and Thirty-Three Seconds: Response to John Covach (MTO 0.11)1.1, 1995HTML
PDF
ASCII
Cochrane, Richard J.ArticleThe Phases of Fire1.1, 1995HTML
PDF
ASCII
Code, David LobergArticleListening for Schubert’s “Doppelgängers”1.4, 1995HTML
PDF
ASCII
Cohen, GiladArticleExpansive Form in Pink Floyd’s “Dogs”21.2, 2015HTML
PDF
Cohn, RichardArticleMusic Theory’s New Pedagogability4.2, 1998HTML/Frames
HTML
PDF
ASCII
Cohn, RichardArticleA Tetrahedral Graph of Tetrachordal Voice-Leading Space9.4, 2003PDF
PDF/Frames
Cohn, RichardArticleA Platonic Model of Funky Rhythms22.2, 2016HTML
PDF
Collins, Denis B.ArticleHorizontal-Shifting Counterpoint and Parallel-Section Constructions in Contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue24.4, 2018HTML
PDF
Collins, NickArticleAn Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space10.3, 2004HTML
PDF
Comen, CraigReviewReview of Daniel Chua, Beethoven & Freedom (Oxford University Press, 2017), and Naomi Waltham-Smith, Music and Belonging Between Revolution and Restoration (Oxford University Press, 2017)24.3, 2018HTML
PDF
Conklin, AndrewArticleWriting Wrong Notes: Chromatic Clashes in the Music of Tune-Yards25.3, 2019HTML
PDF
Conlee, JadeReportConference Report: “Ruptures and Convergences: Music Studies and the Anthropocene”29.2, 2023HTML
PDF
Cook, Karen M.Article8-Bit Affordances: Jun Chikuma’s Soundtrack to Faxanadu29.3, 2023HTML
PDF
Cook, NicholasArticleBetween Process and Product: Music and/as Performance7.2, 2001HTML/Frames
HTML
PDF
Cook, NicholasCommentaryReply to Robert Cantrick8.2, 2002HTML
PDF
Cook, NicholasArticlePrompting Performance: Text, Script, and Meaning in Bryn Harrison’s être-temps11.1, 2005HTML/Frames
HTML
PDF
Cook, NicholasArticleIntroduction: Refocusing Theory18.1, 2012HTML
PDF
Cook, Robert C.ArticleNature’s Voice in Crumb’s An Idyll for the Misbegotten23.1, 2017HTML
PDF
Cook, Scott AlexanderArticleMoving Through Triadic Space: An Examination of Bryars’s Seemingly Haphazard Chord Progressions15.1, 2009HTML
PDF
Covach, JohnArticleDestructuring Cartesian Dualism in Musical Analysis0.11, 1994HTML
PDF
ASCII
Covach, JohnCommentaryMusical Worlds and the Metaphysics of Analysis1.1, 1995HTML
PDF
ASCII
Covach, JohnArticleSchoenberg’s Turn to an “Other” World1.5, 1995HTML
PDF
ASCII
Covach, JohnEssayTo MOOC or Not To MOOC?19.3, 2013HTML
PDF
Covach, JohnReviewReview of Robert Freeman, The Crisis of Classical Music in America: Lessons from the Life in the Education of Musicians (Rowman & Littlefield, 2014)21.2, 2015HTML
Cox, ArnieArticleEmbodying Music: Principles of the Mimetic Hypothesis17.2, 2011HTML
PDF
Cox, ArnieReviewReview of Steve Larson, Musical Forces: Motion, Metaphor, and Meaning in Music (Indiana University Press, 2012)19.1, 2013HTML
PDF
Cramer, AlfredArticleThe Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern: Demonstration Using Auditory Streaming9.2, 2003HTML/Frames
HTML
PDF
Cubero, DiegoArticleInwardness and Inner Melodies in Brahms’s Piano Works 23.1, 2017HTML
PDF
Cubero, DiegoArticleRomantic Periods27.4, 2021HTML
PDF
Cuciurean, JohnReviewReview of Mark Lindley’s and Ronald Turner-Smith’s Mathematical Models of Musical Scales: A New Approach (Verlag fuer systematische Musikwissenschaft, 1993)1.4, 1995HTML
PDF
ASCII
Cumming, Julie E.EssayRenaissance Improvisation and Musicology19.2, 2013HTML
PDF
Cutler, TimothyEssayCryptic Audiodiversity and the Dissonant Perfect Unison16.1, 2010HTML
PDF

     Show all authors

SMT