Author |
Type |
Title |
Volume |
Formats |
Tönies, Simon | Article | Pitch Registration and Harmonic Fields in Works of Pierre Boulez, Marco Stroppa, and Yukiko Watanabe | 30.2, 2024 | HTML PDF | Takehana, Elise O. | Review | Review of Nicola Dibben, Björk (Indiana University Press, 2009) | 16.3, 2010 | HTML PDF | Tan, Daphne | Review | Review of Eric Clarke, Ways of Listening: An Ecological Approach to the Perception of Musical Meaning (Oxford University Press, 2005; paperback, 2011) | 21.3, 2015 | HTML PDF | Tatar, Jeremy | Article | Injury, Affirmation, and the Disability Masquerade in Ye’s “Through the Wire” | 29.2, 2023 | HTML PDF | Taylor, Stephen A. | Article | Chopin, Pygmies, and Tempo Fugue: Ligeti's "Automne a Varsovie" | 3.3, 1997 | HTML/Frames HTML PDF ASCII | Temperley, David | Review | Review of Joseph Swain, Musical Languages (W.W. Norton & Company, 1997) | 5.3, 1999 | HTML PDF ASCII | Temperley, David | Article | The Cadential IV in Rock | 17.1, 2011 | HTML PDF | Temperley, David | Article | Scalar Shift in Popular Music | 17.4, 2011 | HTML PDF | Temperley, David | Review | Review of Carl Schachter, The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory, ed. Joseph N. Straus (Oxford University Press, 2016) | 22.2, 2016 | HTML PDF | Temperley, David, Iris Ren and Zhiyao Duan | Article | Mediant Mixture and “Blue Notes” in Rock: An Exploratory Study | 23.1, 2017 | HTML PDF | Temperley, David | Article | Uniform Information Density in Music | 25.2, 2019 | HTML PDF | Temperley, David | Review | Review of Matthew Santa, Hearing Rhythm and Meter: Analyzing Metrical Consonance and Dissonance in Common-Practice Music (Routledge, 2020) | 28.4, 2022 | HTML PDF | Tenzer, Michael | Article | Theory and Analysis of Melody in Balinese Gamelan | 6.2, 2000 | HTML/Frames HTML PDF ASCII | Tenzer, Michael | Commentary | Africa Stand Up!—and Be Counted Among Others | 16.4, 2010 | HTML PDF | Tenzer, Michael | Article | Chasing the Phantom: Features of a Supracultural New Music | 24.1, 2018 | HTML PDF | Terrigno, Loretta | Article | Emergent Modality: Minor-to-Major Progressions as “Tragic-to-Transcendent” Narratives in Brahms’s Solo Songs | 27.3, 2021 | HTML PDF | Theisen, Alan | Review | Review of Brian Alegant, The Twelve-Tone Music of Luigi Dallapiccola (University of Rochester Press, 2010) | 19.1, 2013 | HTML PDF | Thomas, Margaret E. | Article | Conlon Nancarrow, “Hot” Jazz, and the Principle of Collective Improvisation | 20.1, 2014 | HTML PDF | Thomas, Margaret E. | Article | Text and Temporality: Toward an Understanding of Rhythmic Irregularities in the Music of Tom Waits | 22.4, 2016 | HTML PDF | Thurmaier, David | Review | Review of Vincent P. Benitez, The Words and Music of Paul McCartney: The Solo Years (Praeger, 2010); Ian Inglis, The Words and Music of George Harrison (Praeger, 2010); and Ben Urish and Ken Bielen, The Words and Music of John Lennon (Praeger, 2007) | 18.4, 2012 | HTML PDF | Toorn, Pieter C. van den | Article | A Response to Richard Taruskin’s “A Myth of the Twentieth Century” | 1.5, 1995 | HTML PDF ASCII | Traut, Don | Review | Review of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint” (The Scarecrow Press, 2005) | 15.1, 2009 | HTML PDF | Traut, Don | Review | Review of Severine Neff, Maureen Carr, and Gretchen Horlacher, eds., with John Reef, The Rite of Spring at 100 (Indiana University Press, 2017) | 24.1, 2018 | HTML PDF | Traut, Donald G. | Essay | Dyadic TC Lattices: Revisiting the TC/IS Relationship | 15.5, 2009 | HTML PDF | Trevor, Caitlyn and David Huron | Article | Animated Performance: ‘Better’ Music Means Larger Motions | 24.4, 2018 | HTML PDF | Trinastic, Michael K. | Article | Dissonant Harmony and “Seed-Tones”: Organicism in the Piano Music of Dane Rudhyar | 20.2, 2014 | HTML PDF | Tuck, Patrick | Review | Review of Jane Piper Clendinning and Elizabeth West Marvin, The Musician’s Guide to Theory and Analysis (W.W. Norton, 2005) | 15.2, 2009 | HTML PDF | Tuck, Patrick | Review | Review of Kent D. Cleland and Mary Dobrea-Grindahl, Developing Musicianship Through Aural Skills: A Holistic Approach to Sight-Singing and Ear-Training (Routledge, 2010) | 17.1, 2011 | HTML PDF | Turci-Escobar, John | Review | Review-essay of Kacey Link and Kristin Wendland, Tracing Tangueros: Argentine Tango Instrumental Music (Oxford, 2016) | 25.3, 2019 | HTML PDF | Turner, John W. | Article | Performing Cultural Hybridity in Isang Yun’s Glissées pour violoncelle seul (1970) | 25.2, 2019 | HTML PDF | Turner, JW | Review | Review of Markand Thakar, Looking for the “Harp” Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) | 21.4, 2015 | HTML PDF | Tymoczko, Dmitri | Article | Voice Leadings as Generalized Key Signatures | 11.4, 2005 | PDF | Tymoczko, Dmitri | Commentary | Recasting K-nets | 13.3, 2007 | HTML PDF | Tymoczko, Dmitri | Commentary | Geometrical Methods in Recent Music Theory | 16.1, 2010 | HTML PDF | Tymoczko, Dmitri | Review | Review of Michael Cuthbert, Music21: a Toolkit for Computer-aided Musicology (http://web.mit.edu/music21/) | 19.3, 2013 | HTML PDF | Tymoczko, Dmitri | Review | Review-Essay on Fred Lerdahl’s Composition and Cognition (University of California Press, 2019) | 26.1, 2020 | HTML PDF |