| Author |
Type |
Title |
Volume |
Formats |
BaileyShea, Matt | Review | Review of Michael L. Klein and Nicholas Reyland, eds., Music and Narrative since 1900 (Indiana University Press, 2013) and Peter Kivy, Antithetical Arts: On the Ancient Quarrel between Literature and Music (Clarendon Press, 2009) | 19.3, 2013 | HTML
PDF | BaileyShea, Matt L. | Article | Filleted Mignon: A New Recipe for Analysis and Recomposition | 13.4, 2007 | HTML
PDF | BaileyShea, Matthew L. | Article | Musical Forces and Interpretation: Some Thoughts on a Measure in Mahler | 18.3, 2012 | HTML
PDF | BaileyShea, Matthew L. | Article | From Me To You: Dynamic Discourse in Popular Music | 20.4, 2014 | HTML
PDF | Bain, Jennifer | Article | Introduction: The Music of Chen Yi | 26.3, 2020 | HTML
PDF | Baker, Ben | Review | Review of Keith Waters, Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock, and Chick Corea (Oxford University Press, 2019) | 26.3, 2020 | HTML
PDF | Baker, Michael | Review | Review of Eric Wen, Structurally Sound: Seven Musical Masterworks Deconstructed (Dover Publications, 2017) | 24.1, 2018 | HTML
PDF | Bakulina, Ellen | Essay | The Concept of Mutability in Russian Theory | 20.3, 2014 | HTML
PDF | Bakulina, Ellen | Article | Canons as Hypermetrical Transitions in Mozart | 23.4, 2017 | HTML
PDF | Baragwanath, Nicholas | Article | Analytical Approaches to Melody in Selected Arias by Puccini | 14.2, 2008 | HTML
PDF | Barna, Alyssa | Review | Review of Drew Nobile, Form as Harmony in Rock Music (Oxford University Press, 2020) | 28.1, 2022 | HTML
PDF | Barna, Alyssa and Caroline McLaughlin | Article | Vocal Production, Mimesis, and Social Media in Bedroom Pop | 30.4, 2024 | HTML
PDF | Barnes, Larry | Review | Review of J. Kent Williams, Theories and Analyses of Twentieth-Century Music (Harcourt Brace and Company, 1997) | 3.4, 1997 | HTML
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ASCII | Barnett, Gregory | Review | Review of Megan Kaes Long, Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century (Oxford University Press, 2020) | 27.4, 2021 | HTML
PDF | Barolsky, Daniel and Peter Martens | Article | Rendering the Prosaic Persuasive: Gould and the Performance of Bach’s C-minor Prelude (WTC I) | 18.1, 2012 | HTML
PDF | Barolsky, Daniel | Report | Conference Report: “Performance Studies Network Second International Conference” | 19.2, 2013 | HTML
PDF | Barolsky, Daniel and Edward Klorman | Essay | Performance and Analysis Today: New Horizons | 22.2, 2016 | HTML
PDF | Barolsky, Daniel G | Commentary | The Performer as Analyst | 13.1, 2007 | HTML
PDF | Bass, Richard | Review | Review of David Kopp, Chromatic Transformations in Nineteenth-Century Music (Cambridge University Press, 2002) | 10.1, 2004 | HTML
PDF | Bassler, Samantha | Essay | “But You Don’t Look Sick”: A Survey of Scholars with Chronic, Invisible Illnesses and their Advice on How to Live and Work in Academia | 15.3, 2009 | HTML
PDF | Bauer, Amy | Commentary | Commentary | 30.4, 2024 | HTML
PDF | Bazayev, Inessa and Ellon D. Carpenter | Essay | Introduction: Russian Theoretical Thought Rediscovered and Reevaluated | 20.3, 2014 | HTML
PDF | Bazayev, Inessa | Essay | The Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory | 20.3, 2014 | HTML
PDF | Bazayev, Inessa | Article | Scriabin’s Atonal Problem | 24.1, 2018 | HTML
PDF | Bazayev, Inessa | Article | An Octatonic History of Prokofiev’s Compositional Oeuvre | 24.2, 2018 | HTML
PDF | Bazayev, Inessa | Article | Introduction: Prokofiev at 125 | 24.2, 2018 | HTML
PDF | Beaudoin, Richard | Article | Gould’s Creaking Chair, Schoenberg’s Metric Clarity | 27.1, 2021 | HTML
PDF | Beaudoin, Richard | Article | The Pen as Camera: Finnissy and Overexposure | 27.3, 2021 | HTML
PDF | Beavers, Jennifer P. | Article | Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’s Piano Concerto in G Major | 25.4, 2019 | HTML
PDF | Beavers, Jennifer P. | Article | Ravel’s Sound: Timbre and Orchestration in His Late Works | 27.1, 2021 | HTML
PDF | Belcher, Owen, Catrina Kim and Alan Reese | Article | Public Music Theory’s Neoliberal Learning Outcomes | 29.2, 2023 | HTML
PDF | Benadon, Fernando | Commentary | Commentary on Matthew W. Butterfield’s “The Power of Anacrusis” | 13.1, 2007 | HTML
PDF | Benadon, Fernando | Article | A Circular Plot for Rhythm Visualization and Analysis | 13.3, 2007 | HTML
PDF | Benitez, Vincent P. | Article | Simultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera, Saint François d’Assise | 8.2, 2002 | HTML/Frames
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PDF | Bent, Margaret | Commentary | Diatonic ficta Revisited: Josquin’s Ave Maria in Context (MTO 2.5) | 2.6, 1996 | HTML
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ASCII | Berman, Nancy M. | Review | Review of Glenn Watkins, Pyramids at the Louvre (Harvard University Press, 1994) | 2.4, 1996 | HTML
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ASCII | Bernstein, Zachary | Essay | Duplicated Subdivisions in Babbitt’s It Takes Twelve to Tango | 17.2, 2011 | HTML
PDF | Bernstein, Zachary | Review | Review of Dora Hanninen, A Theory of Music Analysis: On Segmentation and Associative Organization (University of Rochester Press, 2012) | 19.4, 2013 | HTML
PDF | Berry, David Carson | Review | Review of Philip Furia, Irving Berlin: A Life In Song (Schirmer Books, 1998) | 6.5, 2000 | HTML/Frames
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ASCII | Berry, Michael | Article | The Importance of Bodily Gesture in Sofia Gubaidulina’s Music for Low Strings | 15.5, 2009 | HTML
PDF | Bertolani, Valentina | Article | Improvisatory Exercises as Analytical Tool: The Group Dynamics of the Gruppo di Improvvisazione Nuova Consonanza | 25.1, 2019 | HTML
PDF | Besada, José L. | Article | Xenakis’ Sieve Theory: A Remnant of Serial Music? | 28.2, 2022 | HTML
PDF | Bhogal, Gurminder K. | Article | Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel’s Boléro | 26.2, 2020 | HTML
PDF | Biamonte, Nicole | Article | Augmented-Sixth Chords vs. Tritone Substitutes | 14.2, 2008 | HTML
PDF | Biamonte, Nicole | Article | Introduction | 17.3, 2011 | HTML
PDF | Biamonte, Nicole | Article | Formal Functions of Metric Dissonance in Rock Music | 20.2, 2014 | HTML
PDF | Biamonte, Nicole | Report | Conference Report: “A Summit of Creativity: A Celebration of the Fiftieth Anniversary of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band” | 23.2, 2017 | HTML
PDF | Biamonte, Nicole | Commentary | Commentary | 30.4, 2024 | HTML
PDF | Binder, Benjamin | Essay | Art and Science, Beauty and Truth, Performance and Analysis? | 22.2, 2016 | HTML
PDF | Blättler, Damian J. | Article | A Voicing-Based Model for Additive Harmony | 23.3, 2017 | HTML
PDF | Black, Brian C. | Article | Schubert’s Development of Harmonic Motives in his Early String Quartets | 24.3, 2018 | HTML
PDF | Blake, David K. | Article | Timbre as Differentiation in Indie Music | 18.2, 2012 | HTML
PDF | Bleij, Barbara | Article | Three Multifaceted Compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo” | 25.4, 2019 | HTML
PDF | Blum, Stephen | Review | Review of Kofi Agawu, The African Imagination in Music (Oxford University Press, 2016) | 23.1, 2017 | HTML
PDF | Boone, Christine | Article | Mashing: Toward a Typology of Recycled Music | 19.3, 2013 | HTML
PDF | Boone, Christine | Article | Gendered Power Relationships in Mashups | 24.1, 2018 | HTML
PDF | Bor, Mustafa | Article | Sonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 6 | 15.1, 2009 | HTML
PDF | Boss, Jack | Review | Review of Michael Cherlin, Schoenberg’s Musical Imagination (Cambridge University Press, 2007) | 15.1, 2009 | HTML
PDF | Boss, Jack | Article | George Walker’s Piano Music: Traditional Forms in Tonal, Serial and Atonal Styles | 28.3, 2022 | HTML
PDF | Boss, Jack F. | Article | “Schenkerian-Schoenbergian Analysis” and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 1 | 5.1, 1999 | HTML/Frames
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ASCII | Boss, Jack F. | Article | “Away with Motivic Working?” Not So Fast: Motivic Processes in Schoenberg’s op. 11, no. 3 | 21.3, 2015 | HTML
PDF | Bottge, Karen M. | Essay | Reading Adorno’s Reading of the Rachmaninov Prelude in C-sharp Minor: Metaphors of Destruction, Gestures of Power | 17.4, 2011 | HTML
PDF | Bourne, Janet | Article | Perceiving Irony in Music: The Problem in Beethoven’s String Quartets | 22.3, 2016 | HTML
PDF | Bourne, Janet, Rachel Lumsden and Inessa Bazayev | Article | A Survey of the Impact of COVID-19 on Music Theorists | 30.4, 2024 | HTML
PDF | Boyd, Clifton and Jade Conlee | Review | Review of Philip Ewell, On Music Theory, and Making Music More Welcoming for Everyone (University of Michigan Press, 2023) | 29.4, 2023 | HTML
PDF | Boyd, Clifton | Commentary | Commentary: Music Theory, Nationalism, and the “Invention” of Bulgarian Rhythm | 30.4, 2024 | HTML
PDF | Boyle, Antares, Rebecca Leydon, Paul Sherrill and Jeffrey Swinkin | Review | Review of The Oxford Handbook of Critical Concepts in Music Theory, edited by Alexander Rehding and Steven Rings (Oxford University Press, 2019) | 27.1, 2021 | HTML
PDF | Boyle, Antares | Article | Flexible Ostinati, Groove, and Formal Process in Craig Taborn’s Avenging Angel | 27.2, 2021 | HTML
PDF | Boyle, Antares | Article | Gestural Temporality in Sciarrino’s Recitativo oscuro | 29.4, 2023 | HTML
PDF | Boyle, Matthew L. | Article | Johann Georg Sulzer’s “Recitativ” and North German Musical Aesthetics: Context, Translation, Commentary | 23.2, 2017 | HTML
PDF | Boyle, Matthew L. C. and Paul Sherrill | Article | A Thread of Recitative Ruffs: Schemas and Schenker’s Analysis of “Erbarm es, Gott” | 30.2, 2024 | HTML
PDF | Bradford, Wesley J. | Review | Review of Yayoi Uno Everett, Reconfiguring Myth and Narrative in Contemporary Opera | 23.4, 2017 | HTML
PDF | Brasky, Jill T. | Article | Extraordinary Function and the Half-Diminished Seventh in the Song of the Wood Dove | 16.1, 2010 | HTML
PDF | Braunschweig, Karl | Article | Embedded Dissonance in Eighteenth- and Nineteenth-Century Harmonic Theory and Practice | 29.4, 2023 | HTML
PDF | Brinkman, Alexander and Elizabeth West Marvin | Article | Using the Tools to Teach the Tools: Teaching Multimedia Programming in Music Curricula | 3.5, 1997 | HTML/Frames
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ASCII | Brody, Christopher | Review | Review of Matthew Dirst, Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn (Cambridge University Press, 2012) | 19.3, 2013 | HTML
PDF | Broesche, Garreth P. | Article | Glenn Gould, Spliced: Investigating the Filmmaking Analogy | 22.4, 2016 | HTML
PDF | Broman, Per F. | International Report | Report from the Three Seminars on Contemporary Music with Connection to the ISCM World Music Days in Copenhagen, 1996 | 2.6, 1996 | HTML
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ASCII | Broman, Per F. | International Report | Report from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 1997 | 3.4, 1997 | HTML
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ASCII | Broman, Per F. | International Report | Report from the “Skagerack Network” Analysis Workshop at Lyseby Conference Center in Oslo, Norway, November 20–23, 1997 | 4.1, 1998 | HTML/Frames
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PDF | Brown, Matthew | Article | “Adrift on Neurath’s Boat”: The Case for a Naturalized Music Theory | 2.2, 1996 | HTML
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ASCII | Brown, Stephen C. | Article | Axis Tonality and Submediant in the Music of Shostakovich | 15.2, 2009 | HTML
PDF | Brown, Stephen C. | Review | Review of Paolo Susanni and Elliott Antokoletz, Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles (Routledge, 2012) | 20.1, 2014 | HTML
PDF | Browne, Richmond | Article | The Deep Background of our Society | 9.1, 2003 | HTML
PDF | Brøvig-Hanssen, Ragnhild , Bjørnar E. Sandvik and Jon Marius Aareskjold-Drecker | Article | Dynamic Range Processing and Its Influence on Perceived Timing in Electronic Dance Music | 26.2, 2020 | HTML
PDF | Buchler, Michael | Article | Reconsidering Klumpenhouwer Networks | 13.2, 2007 | HTML
PDF | Buchler, Michael | Commentary | Reconsidering Klumpenhouwer Networks One More Time: A Response to Eight Responses | 14.1, 2008 | HTML
PDF | Bugallo, Helena | Article | Harmonic and Non-Harmonic Temporal Structures in Nancarrow’s Study No. 47 for Player Piano | 20.1, 2014 | HTML
PDF | Buhler, James | Review | Review of Roger Scruton, The Aesthetics of Music (Clarendon Press, 1997) | 5.3, 1999 | HTML
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ASCII | Bungert, James | Article | A Tale of Three Schenkers: Analysis, Piano Pedagogy, and Performance of the Chopin Berceuse op. 57 | 23.3, 2017 | HTML
PDF | Bungert, James | Essay | “I got a bone to pick”: Formal Ambivalence and Double Consciousness in Kendrick Lamar’s “King Kunta” | 25.1, 2019 | HTML
PDF | Burke (submitted by L. Poundie Burstein), Richard | Article | “That Awkward Scale”: Verdi, Puccini, and the Scala enigmatica | 21.2, 2015 | HTML
PDF | Burnham, Scott | Article | Theorists and “The Music Itself” | 2.2, 1996 | HTML
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ASCII | Burns, Chelsea | Review | Review of Michael Tenzer and John Roeder, eds., Analytical and Cross-Cultural Studies in World Music (Oxford University Press, 2011) | 18.4, 2012 | HTML
PDF | Burns, Chelsea | Article | “Together Again,” but We Keep On Crying: Buck Owens, Tom Brumley, and the Pedal Steel Guitar, 1964 | 25.2, 2019 | HTML
PDF | Burns, James | Article | Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora | 16.4, 2010 | HTML
PDF | Burns, Lori and Alyssa Woods | Article | Authenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem | 10.2, 2004 | HTML/Frames
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PDF | Burns, Lori | Article | Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong | 11.3, 2005 | HTML/Frames
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PDF | Burns, Lori, Marc Lafrance and Laura Hawley | Article | Embodied Subjectivities in the Lyrical and Musical Expression of PJ Harvey and Björk | 14.4, 2008 | HTML
PDF | Burns, Lori | Article | Female Subjectivities in the Words, Music, and Images of Progressive Metal: The Case of Tatiana Shmayluk (Jinjer) | 29.4, 2023 | HTML
PDF | Burstein, L. Poundie | Review | Review of Carl Schachter, The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory, ed. Joseph N. Straus (Oxford University Press, 2016) | 22.2, 2016 | HTML
PDF | Butler, Mark J. | Article | Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music | 7.6, 2001 | HTML/Frames
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PDF | Butterfield, Matthew W. | Article | The Power of Anacrusis: Engendered Feeling in Groove-Based Musics | 12.4, 2006 | HTML
PDF | Butterfield, Matthew W. | Commentary | Response to Fernando Benadon | 13.3, 2007 | HTML
PDF | Butterfield, Matthew W. | Article | Variant Timekeeping Patterns and Their Effects in Jazz Drumming | 16.4, 2010 | HTML
PDF | Byron, Avior | Article | The Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered | 12.1, 2006 | HTML/Frames
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PDF | Byron, Avior and Matthias Pasdzierny | Commentary | Sprechstimme Reconsidered Once Again: ‘... though Mrs. Stiedry is never in pitch’ | 13.2, 2007 | HTML
PDF | Byros, Vasili | Review | Review of Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice (Oxford University Press, 2012) | 18.3, 2012 | HTML
PDF | Byros, Vasili | Article | Prelude on a Partimento: Invention in the Compositional Pedagogy of the German States in the Time of J. S. Bach | 21.3, 2015 | HTML
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