Author |
Type |
Title |
Volume |
Formats |
Wadsworth, Benjamin K. | Article | Directional Tonality in Schumann’s Early Works | 18.4, 2012 | HTML PDF | Wadsworth, Benjamin K. | Review | Review of David Damschroder, Tonal Analysis: A Schenkerian Perspective (W.W. Norton, 2017) | 24.3, 2018 | HTML PDF | Wai-Ling, Cheong | Report | Identity and Influence: New Music Research at Wuhan Music Conservatory | 6.3, 2000 | HTML PDF | Walden, Daniel K. S. | Article | Noting Images: Understanding the Illustrated Manuscripts of Mendelssohn’s Schilflied and Hindemith’s Ludus Tonalis | 16.3, 2010 | HTML PDF | Walker, Jonathan | Commentary | The Deconstruction of Musicology: Poison or Cure? | 2.4, 1996 | HTML PDF ASCII | Walker, Jonathan | Commentary | Intonational Injustice: A Defense of Just Intonation in the Performance of Renaissance Polyphony | 2.6, 1996 | HTML PDF ASCII | Walker, Jonathan | Review | Review of Adam Krims, Rap Music and the Poetics of Identity (Cambridge University Press, 2000) | 7.4, 2001 | HTML/Frames HTML PDF | Wallmark, Zachary | Article | Analyzing Vocables in Rap: A Case Study of Megan Thee Stallion | 28.2, 2022 | HTML PDF | Wannamaker, Robert A. | Article | Structure and Perception in Herma by Iannis Xenakis | 7.3, 2001 | HTML/Frames HTML PDF | Waters, Keith | Article | Other Good Bridges: Continuity and Debussy’s “Reflets dans l’eau” | 18.3, 2012 | HTML PDF | Waters, Keith J. and J. Kent Williams | Article | Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 | 16.3, 2010 | HTML PDF | Weisser, Benedict | Review | Review of David Cope, Techniques of the Contemporary Composer (Schirmer Books, 1997) | 4.1, 1998 | HTML/Frames HTML PDF ASCII | Wells, Robert L. | Article | A Generalized Intervallic Approach to Metric Conflict in Liszt | 23.4, 2017 | HTML PDF | Wen, Eric | Commentary | Commentary on Samuel Ng’s review of Peter H. Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet | 14.1, 2008 | HTML PDF | Wen, Eric L. | Commentary | More on Sharp to Natural : Further thoughts on Frank Samarotto’s article “Sublimating Sharp : An Exercise in Schenkerian Energetics” | 10.4, 2004 | HTML PDF | Wennerstrom, Mary | Article | SMT at 25: A View from the Balance Sheet | 9.1, 2003 | HTML PDF | Wennerstrom, Mary | Review | Review of Matthew Bribitzer-Stull, Anthology for Analysis and Performance (Oxford University Press, 2014) | 19.4, 2013 | HTML PDF | Wente, Allison | Article | Queue the Roll: Taylorized Labor Practices and Music of the Machine Age | 24.4, 2018 | HTML PDF | Westerhaus, Andrew | Review | Review of Gretchen Horlacher, Building Blocks: Repetition and Continuity in the Music of Stravinsky (Oxford University Press, 2011) | 17.4, 2011 | HTML PDF | White, Christopher Wm. | Article | Feedback and Feedforward Models of Musical Key | 24.2, 2018 | HTML PDF | Wibberley, Roger | Article | Josquin’s Ave Maria: Musica Ficta versus Mode | 2.5, 1996 | HTML PDF ASCII | Wibberley, Roger | Commentary | “Mode versus Ficta” in Context (response to Bent, MTO 2.6) | 2.7, 1996 | HTML PDF ASCII | Wibberley, Roger | Article | J. S. Bach’s Prelude and Fugue in E Flat (BWV 522,1/2): An Inspiration of the Heart? | 4.5, 1998 | HTML/Frames HTML PDF ASCII | Wibberley, Roger | Article | Quid non ebrietas dissignat? Willaert’s didactic demonstration of Syntonic tuning | 10.1, 2004 | HTML/Frames HTML PDF | Wibberley, Roger | Article | Syntonic Tuning: Creating a Model for Accurate Electronic Playback | 10.1, 2004 | HTML/Frames HTML PDF | Wibberley, Roger | Article | Syntonic Tuning: A Sixteenth-Century Composer’s Soundscape | 10.1, 2004 | HTML/Frames HTML PDF | Wibberley, Roger | Commentary | Models for Chord Doubling (and Spacing): Which Ones Don’t We Need? | 10.3, 2004 | HTML PDF | Wild, Jonathan | Review | A Review of David Huron, The Humdrum Toolkit: UNIX Tools for Musical Research | 2.7, 1996 | HTML PDF ASCII | Wild, Jonathan | Article | Genus, Species and Mode in Vicentino’s 31-tone Compositional Theory | 20.2, 2014 | HTML PDF | Willey, Robert | Article | Introduction to the MTO Nancarrow Symposium | 20.1, 2014 | HTML PDF | Willey, Robert | Review | Review of Jürgen Hocker; Steven Lindberg trans., Encounters With Conlon Nancarrow (Lexington Books, 2012) | 20.1, 2014 | HTML PDF | Willey, Robert | Article | The Editing and Arrangement of Conlon Nancarrow’s Studies for Disklavier and Synthesizers | 20.1, 2014 | HTML PDF | Williams, Justin A. | Commentary | Beats and Flows: A Response to Kyle Adams, “Aspects of the Music/Text Relationship in Rap” | 15.2, 2009 | HTML PDF | Willis, Laurence Sinclair | Article | Comprehensibility and Ben Johnston’s String Quartet No. 9 | 25.1, 2019 | HTML PDF | Willner, Channan | Article | More on Handel and the Hemiola: Overlapping Hemiolas | 2.3, 1996 | HTML PDF ASCII | Willner, Channan | Commentary | Handel, the Sarabande, and Levels of Genre: A Reply to David Schulenberg (MTO 2.5) | 2.7, 1996 | HTML PDF ASCII | Woodley, Ronald | Article | Sharp Practice in the Later Middle Ages: Exploring the Chromatic Semitone and its Implications | 12.2, 2006 | PDF | Woodruff, Eliot Ghofur | Article | Metrical Phase Shifts in Stravinsky’s The Rite of Spring | 12.1, 2006 | HTML/Frames HTML PDF |