| Author |
Type |
Title |
Volume |
Formats |
Mailman, Josh | Commentary | The Aims of Music Theory and Neurath’s Boat: A Reply to Jonathan Walker and Matthew Brown (MTO 2.2) | 2.4, 1996 | HTML
PDF
ASCII | Mailman, Joshua Banks | Article | Portmantonality and Babbitt’s Poetics of Double Entendre | 26.2, 2020 | HTML
PDF | Malawey, Victoria | Article | Harmonic Stasis and Oscillation in Björk’s Medúlla | 16.1, 2010 | HTML
PDF | Malawey, Victoria | Article | Strophic Modification in Songs by Amy Beach | 20.4, 2014 | HTML
PDF | Maler, Anabel | Article | Songs for Hands: Analyzing Interactions of Sign Language and Music | 19.1, 2013 | HTML
PDF | Maler, Anabel and Robert Komaniecki | Article | Rhythmic Techniques in Deaf Hip Hop | 27.1, 2021 | HTML
PDF | Manabe, Noriko | Essay | We Gon’ Be Alright? The Ambiguities of Kendrick Lamar’s Protest Anthem | 25.1, 2019 | HTML
PDF | Margulis, Elizabeth Hellmuth, Natalie Miller, Nathaniel Mitchell, Mauro Orsini Windholz, Jamal Williams and J. Devin McAuley | Article | Intersubjectivity and Shared Dynamic Structure in Narrative Imaginings to Music | 28.4, 2022 | HTML
PDF | Marion, Gregory J. | Article | Debussy and Recollection: trois aperçu | 13.1, 2007 | HTML
PDF | Marlowe, Sarah | Article | Resolving Tensions between Outer Form and Inner Form in Fugue: A Comparative Analysis of J. S. Bach’s Fugue in D minor (WTC I) | 26.3, 2020 | HTML
PDF | Martens, Peter | Article | Tactus in Performance: Constraints and Possibilities | 18.1, 2012 | HTML
PDF | Martens, Peter | Essay | Ways of Knowing the Body, Bodily Ways of Knowing | 22.2, 2016 | HTML
PDF | Martens, Peter A. | Article | Glenn Gould’s “Constant Rhythmic Reference Point”:
Communicating Pulse in Bach’s Goldberg Variations, 1955 and 1981 | 13.4, 2007 | HTML
PDF | Martin, Alexander | Article | Tonal Ebb, Sunken II Chords, and Text-Music Correspondences in Robert Schumann’s Lieder | 28.1, 2022 | HTML
PDF | Martin, Ed | Article | Harmonic Progression in Magnus Lindberg’s Twine | 16.1, 2010 | HTML
PDF | Martin, Henry, Cynthia Folio, Steve Larson, Lori Burns, John Covach and Walter Everett | Commentary | Report on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop | 14.3, 2008 | HTML
PDF | Martin, Henry | Composition | Pensieri | 18.3, 2012 | HTML | Martin, Henry | Article | Charlie Parker and “Honeysuckle Rose”: Voice Leading, Formula, and Motive | 18.3, 2012 | HTML
PDF | Martin, Henry | Article | Four Studies of Charlie Parker's Compositional Processes | 24.2, 2018 | HTML
PDF | Martin, Henry | Article | On the Tonic Added-Sixth Chord in Jazz | 29.2, 2023 | HTML
PDF | Martin, Nathan John | Essay | History for Theorists | 25.3, 2019 | HTML
PDF | Martinez, José Luis | Article | Semiotics and the Art Music of India | 6.1, 2000 | HTML/Frames
HTML
PDF
ASCII | Martinkus, Caitlin G. | Article | Schubert’s Large-Scale Sentences: Exploring the Function of Repetition in Schubert’s First-Movement Sonata Forms | 27.3, 2021 | HTML
PDF | Marvin, Elizabeth West | Article | Rethinking Aural Skills Instruction through Cognitive Research: A Response | 27.2, 2021 | HTML
PDF | Marvin, William M. | Review | Review of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training (W.W. Norton and Company, 1997) | 3.4, 1997 | HTML
PDF
ASCII | Marvin, William M. | Review | Review of Markus Neuwirth and Pieter Bergé, eds., What Is A Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire (Leuven University Press, 2015) | 21.4, 2015 | HTML
PDF | Masci, Michael | Article | Reconstructing the Paris Conservatory’s Cours d’Harmonie 1812–1844: Discipline, Sources, Theory, and Method | 28.4, 2022 | HTML
PDF | Mastic, Timothy R. | Article | Normative Wit: Haydn’s Recomposed Recapitulations | 21.2, 2015 | HTML
PDF | Mattessich, John J | Essay | This Flow Ain’t Free: Generative Elements in Kendrick Lamar’s To Pimp a Butterfly | 25.1, 2019 | HTML
PDF | Maus, Fred Everett | Report | LGBTQ+ Lives in Professional Music Theory | 26.1, 2020 | HTML
PDF | Mawer, Deborah | Article | Exploring Complementation in Bartók’s Third Quartet | 13.4, 2007 | HTML
PDF | McAdams, Stephen, Meghan Goodchild and Kit Soden | Article | A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception | 28.3, 2022 | HTML
PDF | McCandless, Gregory R. | Article | Metal as a Gradual Process: Additive Rhythmic Structures in the Music of Dream Theater | 19.2, 2013 | HTML
PDF | McCandless, Gregory R. | Report | Conference Report: “Pedagogy into Practice: Teaching Music Theory in the Twenty-First Century” | 23.2, 2017 | HTML
PDF | McClary, Susan | Article | In Praise of Contingency: The Powers and Limits of Theory | 16.1, 2010 | HTML
PDF | McClimon, Michael | Article | Transformations in Tonal Jazz: ii–V Space | 23.1, 2017 | HTML
PDF | McCreless, Patrick | Review | Review of Jean-Jacques Nattiez, Wagner Androgyne: A Study in Interpretation (Princeton University Press, 1993) | 2.1, 1996 | HTML
PDF
ASCII | McCreless, Patrick | Article | Contemporary Music Theory and the New Musicology: An Introduction | 2.2, 1996 | HTML
PDF
ASCII | McCreless, Patrick | Article | Music Theory as Community: A Perspective from the Late ’90’s | 4.2, 1998 | HTML/Frames
HTML
PDF
ASCII | McCreless, Patrick | Article | Music Theory and Historical Awareness | 6.3, 2000 | HTML/Frames
HTML
PDF
ASCII | McCreless, Patrick | Article | Ownership, In Music and Music Theory | 17.1, 2011 | HTML
PDF | McCreless, Patrick | Review | Review of Thomas Christensen, The Work of Music Theory (Ashgate, 2014) | 22.1, 2016 | HTML
PDF | McFarland, Mark | Review | Review of Jeremy Day-O'Connell, Pentatonicism from the Eighteenth Century to Debussy (University of Rochester Press, 2007) | 15.2, 2009 | HTML
PDF | McFarland, Mark | Article | Schenker and the Tonal Jazz Repertory: A Response to Martin | 18.3, 2012 | HTML
PDF | McNamee, Ann K. | Article | Grazyna Bacewicz’s Second Piano Sonata (1953): Octave Expansion and Sonata Form | 0.4, 1993 | HTML
PDF
ASCII | McNamee, Ann K. | Article | Publishing and Pedagogy Using Multimedia on the World-Wide Web | 3.5, 1997 | HTML/Frames
HTML
PDF
ASCII | McNutt, Elizabeth | Article | A Postscript on Process | 11.1, 2005 | HTML
PDF | Medina-Gray, Elizabeth | Article | Analyzing Modular Smoothness in Video Game Music | 25.3, 2019 | HTML
PDF | Meeùs, Nicolas | Essay | Harmonic Vectors and the Constraints of Tonality | 24.4, 2018 | HTML
PDF | Meeus, Nicolas | International Report | Music Theory and Analysis in France and Belgium | 3.4, 1997 | HTML
PDF
ASCII | Meeus, Nicolas | Article | Toward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions | 6.1, 2000 | HTML/Frames
HTML
PDF
ASCII | Mendez, Matthew | Review | Review of Jennifer Iverson, Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde (Oxford University Press, 2019) | 26.3, 2020 | HTML
PDF | Mengozzi, Stefano | Review | Review of Lionel Pike, Hexachords in Late-Renaissance Music (Ashgate, 1998) | 4.3, 1998 | HTML/Frames
HTML
PDF | Micchelli, Mark | Article | Sound Structures and Naked Fire Gestures in Cecil Taylor’s Solo Piano Music | 28.3, 2022 | HTML
PDF | Michaelsen, Garrett | Article | Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’s The Complete Live at the Plugged Nickel 1965 | 25.3, 2019 | HTML
PDF | Miller, Brian A. | Article | “All of the Rules of Jazz”: Stylistic Models and Algorithmic Creativity in Human-Computer Improvisation | 26.3, 2020 | HTML
PDF | Miller, Paul V. and Christopher Cox | Article | Music from Plant Biosignals: A Conceptual and Analytical Orientation | 30.1, 2024 | HTML
PDF | Mirka, Danuta | Article | Texture in Penderecki’s Sonoristic Style | 6.1, 2000 | HTML/Frames
HTML
PDF
ASCII | Miyake, Jan | Review | Review of Ian Bent, David Bretherton, and William Drabkin, eds. Heinrich Schenker: Selected Correspondence (Boydell Press, 2014) | 21.4, 2015 | HTML
PDF | Momii, Toru | Article | A Transformational Approach to Gesture in Shō Performance | 26.4, 2020 | HTML
PDF | Monahan, Seth | Review | Review of Janet Schmalfeldt: In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music (Oxford University Press, 2011) | 17.3, 2011 | HTML
PDF | Monelle, Raymond | Commentary | Martinez’s Concept of “Intrinsic Semiosis” (Commentary on Martinez, MTO 6.1) | 6.2, 2000 | HTML
PDF
ASCII | Montague, Eugene | Article | Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1 | 18.4, 2012 | HTML
PDF | Montague, Eugene | Essay | Introduction: Agency and Musical Performance | 24.3, 2018 | HTML
PDF | Moore, Allan F. | Article | The Persona-Environment Relation in Recorded Song | 11.4, 2005 | HTML/Frames
HTML
PDF | Morabito, Fabio | Essay | The Score in the Performer’s Hands: Reading Traces of the Act of Performance as a Form of Analysis? | 22.2, 2016 | HTML
PDF | Morford, James B. and Aaron M. David | Article | Metric Modes and Fluid Meter in Mande Drumming Music | 29.3, 2023 | HTML
PDF | Mori, Akane | Review | Review of Maureen Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–25) (Oxford, 2014) | 21.3, 2015 | HTML
PDF | Morris, Rebecca | Essay | Universal Design and Adaptive Equipment: Ideas and Solutions for Music Schools | 15.3, 2009 | HTML
PDF | Morris, Robert D. | Article | Introduction to Panorama of Music Theory, 1987–97 | 4.2, 1998 | HTML/Frames
HTML
PDF
ASCII | Morrison, Landon | Review | Review of Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (Oxford, 2014) | 21.1, 2015 | HTML
PDF | Morrison, Landon | Article | Encoding Post-Spectral Sound: Kaija Saariaho’s Early Electronic Music at IRCAM, 1982–87 | 27.3, 2021 | HTML
PDF | Morse, Michael William | Commentary | To Rosemary Killam: An Open Letter and Reply (MTO 3.2) | 3.3, 1997 | HTML/Frames
HTML
PDF
ASCII | Moseley, Roger | Essay | Entextualization and the Improvised Past | 19.2, 2013 | HTML
PDF | Moseley, Rowland | Review | Review of Roger Mathew Grant, Beating Time & Measuring Music in the Early Modern Era (Oxford University Press, 2014) | 22.4, 2016 | HTML
PDF | Murcott, Dominic | Article | Tomorrow’s Music On Yesterday’s Machines: In Search of an ‘Authentic’ Nancarrow Performance | 20.1, 2014 | HTML
PDF | Murphy, Nancy | Review | Review of The Cambridge Companion to the Singer-Songwriter, ed. Katherine Williams and Justin A. Williams (Cambridge University Press, 2016) | 24.2, 2018 | HTML
PDF | Murphy, Nancy | Article | Buffy Sainte-Marie’s Self-Expressive Voice | 29.3, 2023 | HTML
PDF | Murphy, Scott | Article | The Major Tritone Progression in Recent Hollywood Science Fiction Films | 12.2, 2006 | HTML/Frames
HTML
PDF | Murphy, Scott | Article | Considering Network Recursion and Bartók’s “Fourths” | 13.3, 2007 | HTML
PDF | Murphy, Scott | Article | Cohn’s Platonic Model and the Regular Irregularities of Recent Popular Multimedia | 22.3, 2016 | HTML
PDF | Murphy, Scott | Article | Three Audiovisual Correspondences in the Main Title for Vertigo | 28.1, 2022 | HTML
PDF | Muxfeldt, Kristina | Review | Review of Suzannah Clark, Analyzing Schubert (Cambridge University Press, 2011) | 18.3, 2012 | HTML
PDF |
