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| Author |
Type |
Title |
Volume |
Formats |
O’Donnell, Shaugn | Commentary | Embracing Relational Abundance | 13.3, 2007 | HTML
PDF | O’Hara, William | Article | The Techne of YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers | 28.3, 2022 | HTML
PDF | O'Donnell, Shaugn | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | HTML
PDF
ASCII | Ofcarcik, Judith | Article | Multi-Strand Musical Narratives: An Introduction | 26.2, 2020 | HTML
PDF | Ohriner, Mitchell M. | Essay | Lyric, Rhythm, and Non-alignment in the Second Verse of Kendrick Lamar’s “Momma” | 25.1, 2019 | HTML
PDF | Ohriner, Mitchell S. | Article | Grouping Hierarchy and Trajectories of Pacing in Performances of Chopin’s Mazurkas | 18.1, 2012 | HTML
PDF | Oinas, Cecilia | Article | Sonic Bridges and Pitch-Based Bonding in Two Songs by Saariaho | 29.3, 2023 | HTML
PDF | Osborn, Brad | Review | Review of Andrew Dell’ Antonio, ed., Beyond Structural Listening?: Postmodern Modes of Hearing (University of California Press, 2004) | 14.3, 2008 | HTML
PDF | Osborn, Brad | Article | Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres | 17.3, 2011 | HTML
PDF | Ovenden, Philippa | Article | Out of the Blue: Preparing Proportions in the Old Hall Manuscript | 29.4, 2023 | HTML
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