| Author |
Type |
Title |
Volume |
Formats |
Lafrance, Marc and Lori Burns | Article | Finding Love in Hopeless Places: Complex Relationality and Impossible Heterosexuality in Popular Music Videos by Pink and Rihanna | 23.2, 2017 | HTML
PDF | Lal, Rajan | Article | Harmonic “Quality” and Set-Class Structure: Schoenberg’s Opus 19, No. 2 Reconsidered | 30.1, 2024 | HTML
PDF | Lam, Nathan L. | Article | Pentatonic Xuangong 旋宮 Transformations in Chinese Music | 30.1, 2024 | HTML
PDF | Larson, Steve | Article | Expressive Meaning and Musical Structure, Chapter 1 of Schenkerian Analysis: Pattern, Form, and Expressive Meaning | 18.3, 2012 | HTML
PDF | Latham, Edward D. | Review | Review of Ethan Haimo, “Atonality Analysis, and the Intentional Fallacy,” Music Theory Spectrum (18/2), 167-199 | 3.2, 1997 | HTML
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ASCII | Latham, Edward D. | Review | Binary Oppositions in Arnold Whittall, Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis | 10.3, 2004 | HTML/Frames
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PDF | Lau, Wing | Article | Composing Declamation: Notated Meter Changes in Brahms’s Lieder | 21.2, 2015 | HTML
PDF | Laursen, Lasse | Article | Orchestration Strategies in Simon Steen-Andersen’s Double Up | 22.3, 2016 | HTML
PDF | Lavacek, Justin | Review | Review of Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Cambridge University Press, 2015) | 22.2, 2016 | HTML
PDF | Lavengood, Megan and Evan Williams | Article | The Common Cold: Using Computational Musicology to Define the Winter Topic in Video Game Music | 29.1, 2023 | HTML
PDF | Lavengood, Megan L. | Article | The Cultural Significance of Timbre Analysis: A Case Study in 1980s Pop Music, Texture, and Narrative | 26.3, 2020 | HTML
PDF | Lee, Gavin S. K. | Essay | Global Philosophy of Music: Ji Kang versus Hanslick | 29.4, 2023 | HTML
PDF | Lee, Ji Yeon | Article | Climax Building in Verismo Opera: Archetype and Variants | 26.2, 2020 | HTML
PDF | Lee, Ji Yeon | Article | Rotational Principle as Teleological Genesis in the “Annunciation of Death” Scene from Wagner’s Die Walküre | 28.2, 2022 | HTML
PDF | Lee, Mike Cheng-Yu | Article | A Response to Schmalfeldt’s “Form as Process of Becoming”: Once More on the Performance and Analysis of Schubert’s Sonata in A minor, Op. 42 | 16.2, 2010 | HTML
PDF | Leech-Wilkinson, Daniel | Article | Compositions, Scores, Performances, Meanings | 18.1, 2012 | HTML
PDF | Lehman, Frank | Article | Hollywood Cadences: Music and the Structure of Cinematic Expectation | 19.4, 2013 | HTML
PDF | Leonard, Kendra Preston | Article | Musical Mimesis in Orphans of the Storm | 24.2, 2018 | HTML
PDF | Leong, Daphne and Elizabeth McNutt | Article | Response to Janet Schmalfeldt’s Response | 11.1, 2005 | HTML/Frames
HTML
PDF | Leong, Daphne and Elizabeth McNutt | Article | Virtuosity in Babbitt’s Lonely Flute | 11.1, 2005 | HTML/Frames
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PDF | Leong, Daphne and David Korevaar | Article | The Performer’s Voice: Performance and Analysis in Ravel’s Concerto pour la main gauche | 11.3, 2005 | HTML/Frames
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PDF | Leong, Daphne | Essay | Webs and Snares: Multiple References in Babbitt’s Homily and Beaten Paths | 17.2, 2011 | HTML
PDF | Leong, Daphne | Essay | Analysis and Performance, or wissen, können, kennen | 22.2, 2016 | HTML
PDF | Leong, Daphne | Review | Review of Jeffrey Swinkin, Performative Analysis: Reimagining Music Theory for Performance (University of Rochester Press, 2016) | 23.3, 2017 | HTML
PDF | Leong, Daphne | Report | SMT’s Interest Groups: A Synopsis | 24.3, 2018 | HTML
PDF | Lester, Joel | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | HTML
PDF
ASCII | Lester, Joel | Article | How Theorists Relate To Musicians | 4.2, 1998 | HTML/Frames
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ASCII | Levy, Benjamin R. and Laura Emmery | Article | Archival Research in Music: New Materials, Methods, and Arguments | 27.3, 2021 | HTML
PDF | Levy, Benjamin R. | Article | Material Connections: Bruce Goff, Music, and Modernism Across the Arts | 27.3, 2021 | HTML
PDF | Lewin, David B. | Commentary | Commentary on Roeder (MTO 0.5) | 0.6, 1994 | HTML
PDF
ASCII | Lewin, David B. | Article | The D major Fugue Subject from WTC II: Spatial Saturation? | 4.4, 1998 | HTML/Frames
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PDF
ASCII | Lewis, George E. | Essay | Critical Responses to “Theorizing Improvisation (Musically)” | 19.2, 2013 | HTML
PDF | Leydon, Rebecca | Article | Towards a Typology of Minimalist Tropes | 8.4, 2002 | HTML/Frames
HTML
PDF | Leydon, Rebecca | Article | Clean as a Whistle: Timbral Trajectories and the Modern Musical Sublime | 18.2, 2012 | HTML
PDF | Leydon, Rebecca | Review | Review of Matthew Brown, Debussy Redux: The Impact of his Music on Popular Culture (Indiana University Press, 2012) | 19.2, 2013 | HTML
PDF | Li, Edwin K. C. | Article | Cantopop and Speech-Melody Complex | 27.1, 2021 | HTML
PDF | Li, Mingyue | Article | Reimagining Organicism: An Ecological Aesthetics of Music and Self-Organizing Structures in the Works of Salvatore Sciarrino | 29.4, 2023 | HTML
PDF | Lind, Stephanie | Article | An Interactive Trichord Space Based on Measures 18–23 of Clermont Pépin’s Toccate no. 3 | 15.1, 2009 | HTML
PDF | Lind, Stephanie and John Roeder | Article | Transformational Distance and Form in Berg’s “Schlafend trägt man mich” | 15.1, 2009 | HTML
PDF | Lindley, Mark and Ronald Turner-Smith | Article | An Algebraic Approach to Mathematical Models of Scales | 0.3, 1993 | HTML
PDF
ASCII | Link, John | Article | Harmony in Elliott Carter’s Late Music | 25.1, 2019 | HTML
PDF | Link, John | Review | Review of Elliott Carter Speaks: Unpublished Lectures, Edited and with an introduction by Laura Emmery (University of Illinois Press, 2021) | 29.1, 2023 | HTML
PDF | Littlefield, Richard | Commentary | Commentary on John Roeder (MTO 0.5) | 0.7, 1994 | HTML
PDF
ASCII | Littlefield, Richard | Article | The Silence of the Frames | 2.1, 1996 | HTML
PDF
ASCII | Llorens, Ana | Article | Brahmsian Articulation: Ambiguous and Unfixed Structures in Op. 38 | 27.4, 2021 | HTML
PDF | Lochhead, Judith I. | Article | Retooling the Technique | 4.2, 1998 | HTML/Frames
HTML
PDF
ASCII | Lochhead, Judy | Review | Review of Leslie C. Dunn and Nancy A. Jones eds., Embodied Voices: Representing Female Vocality in Western Culture (Cambridge University Press, 1994) | 2.1, 1996 | HTML
PDF
ASCII | Lochhead, Judy | Review | Review of Ellie M. Hisama, Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (Cambridge University Press, 2001) | 9.2, 2003 | HTML/Frames
HTML
PDF | Lochhead, Judy | Review | Review-Essay on Suzannah Clark and Alexander Rehding, eds., Music in Time: Phenomenology, Perception, Performance (Harvard University Press, 2016) | 25.4, 2019 | HTML
PDF | Locke, David | Article | Yewevu in the Metric Matrix | 16.4, 2010 | HTML | London, Justin | Article | Loud Rests and Other Strange Metric Phenomena (or, Meter as Heard) | 0.2, 1993 | HTML
PDF
ASCII | London, Justin | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | HTML
PDF
ASCII | London, Justin | Commentary | Misreading Meyer: A Reply to Cochrane (MTO 1.1) | 1.3, 1995 | HTML
PDF
ASCII | London, Justin | Commentary | A Different Response to Killam (MTO 3.2, 3.3) | 3.4, 1997 | HTML
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ASCII | London, Justin | Commentary | Commentary | 16.4, 2010 | HTML
PDF | London, Justin | Review | Review of Yonatan Malin, Songs in Motion: Rhythm and Meter in the German Lied (Oxford University Press, 2010) | 17.2, 2011 | HTML
PDF | London, Justin | Article | A Bevy of Biases: How Music Theory’s Methodological Problems Hinder Diversity, Equity, and Inclusion | 28.1, 2022 | HTML
PDF | Long, Megan Kaes | Review | Review of Ruth I. DeFord, Tactus, Mensuration, and Rhythm in Renaissance Music (Cambridge University Press, 2015) | 22.2, 2016 | HTML
PDF | Long, Megan Kaes | Article | Reassessing the Plagal Cadence in Byrd and Morley | 28.3, 2022 | HTML
PDF | Losada, C. Catherine | Article | Middleground Structure in the Cadenza to Boulez’s Éclat | 25.1, 2019 | HTML
PDF | Losada, Catherine | Commentary | K-nets and Hierarchical Structural Recursion: Further Considerations | 13.3, 2007 | HTML
PDF | Love, Stefan C. | Article | “Possible Paths”: Schemata of Phrasing and Melody in Charlie Parker’s Blues | 18.3, 2012 | HTML
PDF | Love, Stefan Caris | Article | Historical Hypermetrical Hearing: Cycles and Schemas in the String-Quartet Minuet | 21.3, 2015 | HTML
PDF | Lucas, Olivia R. | Article | “So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen | 24.3, 2018 | HTML
PDF | Lucas, Olivia R. | Article | Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show | 27.4, 2021 | HTML
PDF | Luchese, Diane | Review | Review of Anthony Pople, Messiaen: Quatuor pour la fin du Temps (Cambridge University Press, 1998) | 5.2, 1999 | HTML
PDF
ASCII | Lumsden, Rachel | Article | Music Theory for the “Weaker Sex”: Oliveria Prescott’s Columns for The Girl’s Own Paper | 26.3, 2020 | HTML
PDF | Lumsden, Rachel L. | Article | “You Too Can Compose”: Ruth Crawford’s Mentoring of Vivian Fine | 23.2, 2017 | HTML
PDF | Lundberg, Mattias | Article | “To Let it Be Without Pretense”: Canon, Fugue, and Imitation in Progressive Rock 1968–1979 | 20.3, 2014 | HTML
PDF | Luong, Vivian | Article | Rethinking Music Loving | 23.2, 2017 | HTML
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