Author Index    [Volume Index]


A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z |



Author Type Title  Volume  Formats
Lafrance, Marc and Lori BurnsArticleFinding Love in Hopeless Places: Complex Relationality and Impossible Heterosexuality in Popular Music Videos by Pink and Rihanna23.2, 2017HTML
PDF
Larson, SteveArticleExpressive Meaning and Musical Structure, Chapter 1 of Schenkerian Analysis: Pattern, Form, and Expressive Meaning18.3, 2012HTML
PDF
Latham, Edward D.ReviewReview of Ethan Haimo, “Atonality Analysis, and the Intentional Fallacy,” Music Theory Spectrum (18/2), 167-1993.2, 1997HTML
PDF
ASCII
Latham, Edward D.ReviewBinary Oppositions in Arnold Whittall, Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis10.3, 2004HTML/Frames
HTML
PDF
Lau, WingArticleComposing Declamation: Notated Meter Changes in Brahms’s Lieder21.2, 2015HTML
PDF
Laursen, LasseArticleOrchestration Strategies in Simon Steen-Andersen’s Double Up22.3, 2016HTML
PDF
Lavacek, JustinReviewReview of Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Cambridge University Press, 2015)22.2, 2016HTML
PDF
Lavengood, Megan and Evan WilliamsArticleThe Common Cold: Using Computational Musicology to Define the Winter Topic in Video Game Music29.1, 2023HTML
PDF
Lavengood, Megan L.ArticleThe Cultural Significance of Timbre Analysis: A Case Study in 1980s Pop Music, Texture, and Narrative26.3, 2020HTML
PDF
Lee, Gavin S. K.EssayGlobal Philosophy of Music: Ji Kang versus Hanslick29.4, 2023HTML
PDF
Lee, Ji YeonArticleClimax Building in Verismo Opera: Archetype and Variants26.2, 2020HTML
PDF
Lee, Ji YeonArticleRotational Principle as Teleological Genesis in the “Annunciation of Death” Scene from Wagner’s Die Walküre28.2, 2022HTML
PDF
Lee, Mike Cheng-YuArticleA Response to Schmalfeldt’s “Form as Process of Becoming”: Once More on the Performance and Analysis of Schubert’s Sonata in A minor, Op. 4216.2, 2010HTML
PDF
Leech-Wilkinson, DanielArticleCompositions, Scores, Performances, Meanings18.1, 2012HTML
PDF
Lehman, FrankArticleHollywood Cadences: Music and the Structure of Cinematic Expectation19.4, 2013HTML
PDF
Leonard, Kendra PrestonArticleMusical Mimesis in Orphans of the Storm24.2, 2018HTML
PDF
Leong, Daphne and Elizabeth McNuttArticleResponse to Janet Schmalfeldt’s Response11.1, 2005HTML/Frames
HTML
PDF
Leong, Daphne and Elizabeth McNuttArticleVirtuosity in Babbitt’s Lonely Flute11.1, 2005HTML/Frames
HTML
PDF
Leong, Daphne and David KorevaarArticleThe Performer’s Voice: Performance and Analysis in Ravel’s Concerto pour la main gauche11.3, 2005HTML/Frames
HTML
PDF
Leong, DaphneEssayWebs and Snares: Multiple References in Babbitt’s Homily and Beaten Paths17.2, 2011HTML
PDF
Leong, DaphneEssayAnalysis and Performance, or wissen, können, kennen22.2, 2016HTML
PDF
Leong, DaphneReviewReview of Jeffrey Swinkin, Performative Analysis: Reimagining Music Theory for Performance (University of Rochester Press, 2016) 23.3, 2017HTML
PDF
Leong, DaphneReportSMT’s Interest Groups: A Synopsis24.3, 2018HTML
PDF
Lester, JoelCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993HTML
PDF
ASCII
Lester, JoelArticleHow Theorists Relate To Musicians4.2, 1998HTML/Frames
HTML
PDF
ASCII
Levy, Benjamin R. and Laura EmmeryArticleArchival Research in Music: New Materials, Methods, and Arguments27.3, 2021HTML
PDF
Levy, Benjamin R.ArticleMaterial Connections: Bruce Goff, Music, and Modernism Across the Arts27.3, 2021HTML
PDF
Lewin, David B.CommentaryCommentary on Roeder (MTO 0.5)0.6, 1994HTML
PDF
ASCII
Lewin, David B.ArticleThe D major Fugue Subject from WTC II: Spatial Saturation?4.4, 1998HTML/Frames
HTML
PDF
ASCII
Lewis, George E.EssayCritical Responses to “Theorizing Improvisation (Musically)”19.2, 2013HTML
PDF
Leydon, RebeccaArticleTowards a Typology of Minimalist Tropes8.4, 2002HTML/Frames
HTML
PDF
Leydon, RebeccaArticleClean as a Whistle: Timbral Trajectories and the Modern Musical Sublime18.2, 2012HTML
PDF
Leydon, RebeccaReviewReview of Matthew Brown, Debussy Redux: The Impact of his Music on Popular Culture (Indiana University Press, 2012)19.2, 2013HTML
PDF
Li, Edwin K. C.ArticleCantopop and Speech-Melody Complex27.1, 2021HTML
PDF
Li, MingyueArticleReimagining Organicism: An Ecological Aesthetics of Music and Self-Organizing Structures in the Works of Salvatore Sciarrino29.4, 2023HTML
PDF
Lind, StephanieArticleAn Interactive Trichord Space Based on Measures 18–23 of Clermont Pépin’s Toccate no. 315.1, 2009HTML
PDF
Lind, Stephanie and John RoederArticleTransformational Distance and Form in Berg’s “Schlafend trägt man mich”15.1, 2009HTML
PDF
Lindley, Mark and Ronald Turner-SmithArticleAn Algebraic Approach to Mathematical Models of Scales0.3, 1993HTML
PDF
ASCII
Link, JohnArticleHarmony in Elliott Carter’s Late Music25.1, 2019HTML
PDF
Link, JohnReviewReview of Elliott Carter Speaks: Unpublished Lectures, Edited and with an introduction by Laura Emmery (University of Illinois Press, 2021)29.1, 2023HTML
PDF
Littlefield, RichardCommentaryCommentary on John Roeder (MTO 0.5)0.7, 1994HTML
PDF
ASCII
Littlefield, RichardArticleThe Silence of the Frames2.1, 1996HTML
PDF
ASCII
Llorens, AnaArticleBrahmsian Articulation: Ambiguous and Unfixed Structures in Op. 3827.4, 2021HTML
PDF
Lochhead, Judith I.ArticleRetooling the Technique4.2, 1998HTML/Frames
HTML
PDF
ASCII
Lochhead, JudyReviewReview of Leslie C. Dunn and Nancy A. Jones eds., Embodied Voices: Representing Female Vocality in Western Culture (Cambridge University Press, 1994)2.1, 1996HTML
PDF
ASCII
Lochhead, JudyReviewReview of Ellie M. Hisama, Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (Cambridge University Press, 2001)9.2, 2003HTML/Frames
HTML
PDF
Lochhead, JudyReviewReview-Essay on Suzannah Clark and Alexander Rehding, eds., Music in Time: Phenomenology, Perception, Performance (Harvard University Press, 2016)25.4, 2019HTML
PDF
Locke, DavidArticleYewevu in the Metric Matrix16.4, 2010HTML
London, JustinArticleLoud Rests and Other Strange Metric Phenomena (or, Meter as Heard)0.2, 1993HTML
PDF
ASCII
London, JustinCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993HTML
PDF
ASCII
London, JustinCommentaryMisreading Meyer: A Reply to Cochrane (MTO 1.1)1.3, 1995HTML
PDF
ASCII
London, JustinCommentaryA Different Response to Killam (MTO 3.2, 3.3)3.4, 1997HTML
PDF
ASCII
London, JustinCommentaryCommentary   16.4, 2010HTML
PDF
London, JustinReviewReview of Yonatan Malin, Songs in Motion: Rhythm and Meter in the German Lied (Oxford University Press, 2010)17.2, 2011HTML
PDF
London, JustinArticleA Bevy of Biases: How Music Theory’s Methodological Problems Hinder Diversity, Equity, and Inclusion28.1, 2022HTML
PDF
Long, Megan KaesReviewReview of Ruth I. DeFord, Tactus, Mensuration, and Rhythm in Renaissance Music (Cambridge University Press, 2015)22.2, 2016HTML
PDF
Long, Megan KaesArticleReassessing the Plagal Cadence in Byrd and Morley28.3, 2022HTML
PDF
Losada, C. CatherineArticleMiddleground Structure in the Cadenza to Boulez’s Éclat25.1, 2019HTML
PDF
Losada, CatherineCommentaryK-nets and Hierarchical Structural Recursion: Further Considerations13.3, 2007HTML
PDF
Love, Stefan C.Article“Possible Paths”: Schemata of Phrasing and Melody in Charlie Parker’s Blues18.3, 2012HTML
PDF
Love, Stefan CarisArticleHistorical Hypermetrical Hearing: Cycles and Schemas in the String-Quartet Minuet21.3, 2015HTML
PDF
Lucas, Olivia R.Article“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen24.3, 2018HTML
PDF
Lucas, Olivia R.ArticlePerforming Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show27.4, 2021HTML
PDF
Luchese, DianeReviewReview of Anthony Pople, Messiaen: Quatuor pour la fin du Temps (Cambridge University Press, 1998)5.2, 1999HTML
PDF
ASCII
Lumsden, RachelArticleMusic Theory for the “Weaker Sex”: Oliveria Prescott’s Columns for The Girl’s Own Paper26.3, 2020HTML
PDF
Lumsden, Rachel L.Article“You Too Can Compose”: Ruth Crawford’s Mentoring of Vivian Fine23.2, 2017HTML
PDF
Lundberg, MattiasArticle“To Let it Be Without Pretense”: Canon, Fugue, and Imitation in Progressive Rock 1968–197920.3, 2014HTML
PDF
Luong, VivianArticleRethinking Music Loving23.2, 2017HTML
PDF

     Show all authors

SMT