| Author |
Type |
Title |
Volume |
Formats |
Kahrs, Noah | Article | Consonance, Dissonance, and Formal Proportions in Two Works by Sofia Gubaidulina | 26.2, 2020 | HTML
PDF | Kahrs, Noah | Review | Review of Amy Cimini, Wild Sound: Maryanne Amacher and the Tenses of Audible Life (Oxford University Press, 2022) | 28.4, 2022 | HTML
PDF | Kallis, Vasileios | Article | Principles of Pitch Organization in Scriabin’s Early Post-tonal Period: The Piano Miniatures | 14.3, 2008 | HTML
PDF | Kaminsky, Peter | Review | Review of Yrjö Heinonen et al., Beatlestudies 3: Proceedings of the BEATLES 2000 Conference (University of Jyväskylä Press, 2001) | 11.1, 2005 | HTML
PDF | Kaminsky, Peter | Article | Listening to Performers’ Writings and Recordings: An Analysis of Debussy’s “Colloque sentimental” | 22.3, 2016 | HTML
PDF | Kaminsky, Peter M. | Article | Revenge of the Boomers: Notes on the Analysis of Rock Music | 6.3, 2000 | HTML/Frames
HTML
PDF
ASCII | Karnes, Kevin C. | Article | Disco Culture and the Ritual Journey in the Soviet 1980s | 27.3, 2021 | HTML
PDF | Karpinski, Gary S. | Article | Lessons from the Past: Music Theory Pedagogy and the Future | 6.3, 2000 | HTML/Frames
HTML
PDF
ASCII | Karpinski, Gary S. | Article | Ambiguity: Another Listen | 18.3, 2012 | HTML
PDF | Karpinski, Gary S. | Article | A Cognitive Basis for Choosing a Solmization System | 27.2, 2021 | HTML
PDF | Keep, David | Review | Review of Joel Lester, Brahms’s Violin Sonatas: Style, Structure, Performance (New York: Oxford University Press, 2020) | 28.2, 2022 | HTML
PDF | Kielian-Gilbert, Marianne | Article | Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in Ning for Pipa, Violin and Cello (2002) | 26.3, 2020 | HTML
PDF | Killam, Rosemary | Article | Feminist Theories—Process and Continua | 0.8, 1994 | HTML
PDF
ASCII | Killam, Rosemary | Article | Cognitive Dissonance: Should Twentieth-century Women Composers Be Grouped with Focault’s Mad Criminals? | 3.2, 1997 | HTML
PDF
ASCII | Killam, Rosemary | Commentary | Response to Professor Morse's Open Letter (MTO 3.3) | 3.4, 1997 | HTML
PDF
ASCII | Kimberlin, Cynthia Tse | Commentary | Commentary | 16.4, 2010 | HTML
PDF | King, Jonathan T. | Review | Review of Diane Pecknold and Kristine M. McCusker, eds., Country Boys and Redneck Women: New Essays in Gender and Country Music (University Press of Mississippi, 2016) | 23.3, 2017 | HTML
PDF | Kleppinger, Stanley V. | Article | Copland’s Fifths and Their Structural Role in the Sonata for Violin and Piano | 17.2, 2011 | HTML
PDF | Klorman, Edward | Report | “Musical Form: Mapping the Territories”: A Conference Report | 20.2, 2014 | HTML
PDF | Klorman, Edward | Essay | Performers as Creative Agents; or, Musicians Just Want To Have Fun | 24.3, 2018 | HTML
PDF | Klorman, Edward | Article | Koch, Carpani, and Momigny: Theorists of Agency in the Classical String Quartet? | 24.4, 2018 | HTML
PDF | Klumpenhouwer, Henry | Article | Some Remarks on the Use of Riemann Transformations | 0.9, 1994 | HTML
PDF
ASCII | Klumpenhouwer, Henry | Commentary | Reconsidering Klumpenhouwer Networks: a Response | 13.3, 2007 | HTML
PDF | Kochavi, Jon | Essay | How Do You Hear That? Autism, Blindness, and Teaching Music Theory | 15.3, 2009 | HTML
PDF | Kochavi, Jonathan | Review | Review of Edward Gollin and Alexander Rehding eds., The Oxford Handbook of Neo-Riemannian Theories (Oxford University Press, 2011) | 18.4, 2012 | HTML
PDF | Komaniecki, Robert | Article | Analyzing Collaborative Flow in Rap Music | 23.4, 2017 | HTML
PDF | Koozin, Timothy | Article | On Metaphor, Technology, and Schenkerian Analysis | 5.3, 1999 | HTML/Frames
HTML
PDF
ASCII
Shockwave | Koozin, Timothy | Article | Guitar Voicing in Pop-Rock Music: A Performance-Based Analytical Approach | 17.3, 2011 | HTML
PDF | Koozin, Timothy | Article | Evolving Content and Design | 20.1, 2014 | HTML
PDF | Koozin, Timothy | Report | Conference Report: “Come Together: Fifty Years of Abbey Road” | 25.4, 2019 | HTML
PDF | Kopiez, Reinhard | International Report | Report on the Jahrestagung der Deutschen Gesellschaft fuer Musikpsycologie (DGM), Muenster, 10-12 September, 1993, trans. Richard Parncutt | 0.7, 1994 | HTML
PDF
ASCII | Kopp, David | Article | On the Function of Function | 1.3, 1995 | HTML
PDF
ASCII | Kopp, David | Article | On Performing Chopin’s Barcarolle | 20.4, 2014 | HTML
PDF | Koslovsky, John | Report | Conference Report: “Fifth International Schenker Symposium” | 19.2, 2013 | HTML
PDF | Kosovsky, Robert | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | HTML
PDF
ASCII | Kovaciny, Stephen M. | Review | Music Theory’s Visceral Turn: A Review of Roger Matthew Grant, Peculiar Attunements: How Affect Theory Turned Musical (New York: Fordham University Press, 2020) | 27.2, 2021 | HTML | Kozak, Mariusz | Review | Review of Evan Jones ed., Intimate Voices: The Twentieth Century String Quartet (Rochester University Press, 2009) | 18.2, 2012 | HTML
PDF | Kozak, Mariusz | Article | Listeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models | 21.3, 2015 | HTML
PDF | Kozak, Mariusz | Article | Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work? | 27.2, 2021 | HTML
PDF | Kraus, Joseph | Review | Review of David Beach, Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form (Routledge, 2012), and accompanying Teacher’s Manual (PDF format) | 20.4, 2014 | HTML
PDF | Kraus, Joseph | Report | Report on the Second Congress of the Russian Society for the Theory of Music | 21.4, 2015 | HTML
PDF | Kraus, Joseph C. | Article | Coaching Mozart’s String Quintet in E-flat major: Finding the Rhythmic Shape | 15.2, 2009 | HTML
PDF | Krebs, Harald | Review | Review of David Ferris, Schumann’s Eichendorff Liederkreis and the Genre of the Romantic Cycle (Oxford University Press, 2000)
| 8.2, 2002 | HTML
PDF | Krebs, Harald | Review | Review of Danuta Mirka, Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (Oxford University Press, 2009) | 17.3, 2011 | HTML
PDF | Krebs, Harald | Article | Treading Robert Schumann’s New Path: Understanding Declamation in the Late Lieder through Analysis and Recomposition | 20.4, 2014 | HTML
PDF | Krims, Adam | Article | Bloom, Post-Structuralism(s), and Music Theory | 0.11, 1994 | HTML
PDF
ASCII | Krims, Adam | Commentary | On the Fear of Losing Our Tools (A Response to Joseph N. Straus) (MTO 1.1) | 1.1, 1995 | HTML
PDF
ASCII | Kutnowski, Martin | Essay | How Register Tells the Story in Scriabin’s Op. 22, No. 2 | 17.2, 2011 | HTML
PDF | Kutschke, Beate | Article | Music and Other Sign Systems | 20.4, 2014 | HTML
PDF | Kuusi, Tuire | Article | The Role of Set-Class Identity in the Estimation of Chords | 9.3, 2003 | HTML/Frames
HTML
PDF | Kuusi, Tuire | Article | Discrimination and Evaluation of Trichords | 15.5, 2009 | HTML
PDF |
