| Author |
Type |
Title |
Volume |
Formats |
Palfy, Cora S. | Article | Formal Reminiscence Space and Memory in Sufjan Stevens’s Storytelling | 26.1, 2020 | HTML
PDF | Palmer, James K. | Article | Humorous Script Oppositions in Classical Instrumental Music | 23.1, 2017 | HTML
PDF | Park, Joon | Article | Analyzing Schoenberg’s War Compositions as Satire and Sincerity: A Comparative Analysis of Ode to Napoleon Buonaparte and A Survivor from Warsaw | 26.4, 2020 | HTML
PDF | Parkhurst, Bryan J. | Article | Fraught with Ought: An Outline of an Expressivist Meta‐Theory | 19.3, 2013 | HTML
PDF | Parsons, Laurel | Article | Dyslexia and Post-Secondary Aural Skills Instruction | 21.4, 2015 | HTML
PDF | Pastille, William | Article | Schenker’s Value-Judgments | 1.6, 1995 | HTML
PDF
ASCII | Pau, Andrew | Article | “Sous le rythme de la chanson”: Rhythm, Text, and Diegetic Performance in Nineteenth-Century French Opera | 21.3, 2015 | HTML
PDF | Pearson, David M. | Article | Extreme Hardcore Punk and the Analytical Challenges of Rhythm, Riffs, and Timbre in Punk Music | 25.1, 2019 | HTML
PDF | Peck, Robert W. | Article | A GAP Tutorial for Transformational Music Theory | 17.1, 2011 | HTML
PDF | Peck, Robert W. | Article | Klein-Bottle Tonnetze | 9.3, 2003 | PDF | Pedneault-Deslauriers, Julie | Article | The French Path: Early Major-Minor Theory from Jean Rousseau to Saint-Lambert | 23.1, 2017 | HTML
PDF | Peebles, Crystal A. | Article | Editorial Markings as Analysis in Bach’s Partita No. 1 for Solo Violin, “Corrente” | 24.4, 2018 | HTML
PDF | Pell, Nathan | Article | Key Profiles in Bruckner’s Symphonic Expositions: “Ein Potpourri von Exaltationen”? | 24.1, 2018 | HTML
PDF | Perry, Jeffrey | Article | Cage’s Imitation Game: Cheap Imitation and Song Books through the sketches | 27.3, 2021 | HTML
PDF | Perry, Jeffrey | Article | Music, Evolution and the Ladder of Progress | 6.5, 2000 | HTML/Frames
HTML
PDF
ASCII | Plotkin, Richard | Article | Chord Proximity, Parsimony, and Analysis with Filtered Point-Symmetry | 25.2, 2019 | HTML
PDF | Polak, Rainer | Article | Rhythmic Feel as Meter: Non-Isochronous Beat Subdivision in Jembe Music from Mali | 16.4, 2010 | HTML
PDF | Polak, Rainer and Justin London | Article | Timing and Meter in Mande Drumming from Mali | 20.1, 2014 | HTML
PDF | Ponce, Adriana | Article | Form, Diversity, and Lack of Fulfillment in the First Movement of Schumann’s Fantasie op. 17 | 20.3, 2014 | HTML
PDF | Posen, Thomas William | Article | Windows into Beethoven’s Lessons in Bonn: Kirnberger’s Die wahren Grundsätze zum Gebrauch der Harmonie (1773) and Vogler’s Gründe der Kuhrpfälzischen Tonschule in Beyspielen (1776/1778) | 29.4, 2023 | HTML
PDF | Probst, Stephanie | Article | Pen, Paper, Steel: Visualizing Bach’s Polyphony at the Bauhaus | 26.4, 2020 | HTML
PDF | Puri, Michael J. | Article | Ravel’s Valses nobles et sentimentales and its Models | 23.3, 2017 | HTML
PDF | Parncutt, Richard | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | HTML
PDF
ASCII | Parncutt, Richard | Commentary | Response to Demske: Relating Sets | 1.3, 1995 | HTML
PDF
ASCII | Perry, Jeff | Commentary | Music Theory as Conversation | 13.1, 2007 | HTML
PDF | Pack, Tim S. | Composition | Pie Jesu | 18.3, 2012 | HTML | Pacun, David | Essay | Reflections on and Some Recommendations for Visually Impaired Students | 15.3, 2009 | HTML
PDF | Polth, Michael | Essay | The Individual Tone and Musical Context in Albert Simon’s Tonfeldtheorie | 24.4, 2018 | HTML
PDF | Principi, Dylan | Essay | Rethinking Topic Theory: An Essay on the Recent History of a Music Theory | 30.1, 2024 | HTML
PDF | Parncutt, Richard | International Report | Review of the 1993 Conference of the Society for Music Perception and Cognition | 0.6, 1994 | HTML
PDF
ASCII | Perry, Jeffrey | Report | Conference Report: EuroMAC 9 | 23.3, 2017 | HTML
PDF | Platt, Heather | Report | “Brahms in the New Century”: A Conference Report | 18.2, 2012 | HTML
PDF | Pack, Tim S. | Review | Review of Michael Praetorius; Jeffery T. Kite-Powell trans. and ed., Syntagma musicum III (Oxford University Press, 2004) | 12.3, 2006 | HTML
PDF | Peck, Robert | Review | Review of Steven Rings, Tonality and Transformation (Oxford University Press, 2011) | 18.3, 2012 | HTML
PDF | Peck, Robert W. | Review | Review of the 2003 American Mathematical Society Spring Southeastern Section Conference, Special Session on Mathematical Techniques in Musical Analysis | 9.3, 2003 | HTML
PDF | Perrott, David | Review | Review of Laurent Fichet, Les theories scientifiques de la musique (Librairie philosophique J. Vrin, 1996) | 5.4, 1999 | HTML
PDF
ASCII | Perry, Jeff | Review | Review of Anthony K. Brandt, Sound Reasoning: A New Way to Listen (http://www.soundreasoning.org) | 13.3, 2007 | HTML
PDF | Perry, Jeffrey | Review | Review of Allen Forte, The Atonal Music of Anton Webern (Yale University Press, 1999) | 6.1, 2000 | HTML/Frames
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PDF
ASCII | Perry, Jeffrey | Review | Review of M. J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe (Cambridge University Press, 2001) | 9.1, 2003 | HTML
PDF | Pieslak, Jonathan | Review | Review of Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (Oxford University Press, 2003) | 14.1, 2008 | HTML
PDF | Pomeroy, Boyd | Review | Review of Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin, eds. Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno (University of Rochester Press, 2015) | 22.4, 2016 | HTML
PDF | Pople, Anthony | Review | Review of David Epstein, Shaping Time: Music, the Brain, and Performance (Schirmer Books, 1995) | 3.3, 1997 | HTML/Frames
HTML
PDF
ASCII |
