Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Palfy, Cora S.ArticleFormal Reminiscence Space and Memory in Sufjan Stevens’s Storytelling26.1, 2020HTML
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Palmer, James K.ArticleHumorous Script Oppositions in Classical Instrumental Music23.1, 2017HTML
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Park, JoonArticleAnalyzing Schoenberg’s War Compositions as Satire and Sincerity: A Comparative Analysis of Ode to Napoleon Buonaparte and A Survivor from Warsaw26.4, 2020HTML
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Parkhurst, Bryan J.ArticleFraught with Ought: An Outline of an Expressivist Meta‐Theory19.3, 2013HTML
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Parsons, LaurelArticleDyslexia and Post-Secondary Aural Skills Instruction21.4, 2015HTML
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Pastille, WilliamArticleSchenker’s Value-Judgments1.6, 1995HTML
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Pau, AndrewArticle“Sous le rythme de la chanson”: Rhythm, Text, and Diegetic Performance in Nineteenth-Century French Opera21.3, 2015HTML
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Pearson, David M.ArticleExtreme Hardcore Punk and the Analytical Challenges of Rhythm, Riffs, and Timbre in Punk Music25.1, 2019HTML
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Peck, Robert W. ArticleA GAP Tutorial for Transformational Music Theory17.1, 2011HTML
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Peck, Robert W.ArticleKlein-Bottle Tonnetze9.3, 2003PDF
Pedneault-Deslauriers, JulieArticleThe French Path: Early Major-Minor Theory from Jean Rousseau to Saint-Lambert23.1, 2017HTML
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Peebles, Crystal A.ArticleEditorial Markings as Analysis in Bach’s Partita No. 1 for Solo Violin, “Corrente”24.4, 2018HTML
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Pell, NathanArticleKey Profiles in Bruckner’s Symphonic Expositions: “Ein Potpourri von Exaltationen”?24.1, 2018HTML
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Perry, JeffreyArticleCage’s Imitation Game: Cheap Imitation and Song Books through the sketches27.3, 2021HTML
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Perry, JeffreyArticleMusic, Evolution and the Ladder of Progress6.5, 2000HTML/Frames
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Plotkin, RichardArticleChord Proximity, Parsimony, and Analysis with Filtered Point-Symmetry25.2, 2019HTML
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Polak, RainerArticleRhythmic Feel as Meter: Non-Isochronous Beat Subdivision in Jembe Music from Mali16.4, 2010HTML
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Polak, Rainer and Justin LondonArticleTiming and Meter in Mande Drumming from Mali20.1, 2014HTML
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Ponce, AdrianaArticleForm, Diversity, and Lack of Fulfillment in the First Movement of Schumann’s Fantasie op. 1720.3, 2014HTML
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Posen, Thomas WilliamArticleWindows into Beethoven’s Lessons in Bonn: Kirnberger’s Die wahren Grundsätze zum Gebrauch der Harmonie (1773) and Vogler’s Gründe der Kuhrpfälzischen Tonschule in Beyspielen (1776/1778)29.4, 2023HTML
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Probst, StephanieArticlePen, Paper, Steel: Visualizing Bach’s Polyphony at the Bauhaus26.4, 2020HTML
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Puri, Michael J. ArticleRavel’s Valses nobles et sentimentales and its Models23.3, 2017HTML
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Parncutt, RichardCommentaryCommentary on Justin London (MTO 0.2) 0.3, 1993HTML
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Parncutt, RichardCommentaryResponse to Demske: Relating Sets1.3, 1995HTML
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Perry, JeffCommentaryMusic Theory as Conversation13.1, 2007HTML
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Pack, Tim S. CompositionPie Jesu18.3, 2012HTML
Pacun, DavidEssayReflections on and Some Recommendations for Visually Impaired Students15.3, 2009HTML
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Polth, MichaelEssayThe Individual Tone and Musical Context in Albert Simon’s Tonfeldtheorie24.4, 2018HTML
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Principi, DylanEssayRethinking Topic Theory: An Essay on the Recent History of a Music Theory30.1, 2024HTML
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Parncutt, RichardInternational ReportReview of the 1993 Conference of the Society for Music Perception and Cognition0.6, 1994HTML
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Perry, JeffreyReportConference Report: EuroMAC 9 23.3, 2017HTML
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Platt, HeatherReport“Brahms in the New Century”: A Conference Report18.2, 2012HTML
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Pack, Tim S.ReviewReview of Michael Praetorius; Jeffery T. Kite-Powell trans. and ed., Syntagma musicum III (Oxford University Press, 2004)12.3, 2006HTML
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Peck, RobertReviewReview of Steven Rings, Tonality and Transformation (Oxford University Press, 2011)18.3, 2012HTML
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Peck, Robert W.ReviewReview of the 2003 American Mathematical Society Spring Southeastern Section Conference, Special Session on Mathematical Techniques in Musical Analysis9.3, 2003HTML
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Perrott, DavidReviewReview of Laurent Fichet, Les theories scientifiques de la musique (Librairie philosophique J. Vrin, 1996)5.4, 1999HTML
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Perry, JeffReviewReview of Anthony K. Brandt, Sound Reasoning: A New Way to Listen (http://www.soundreasoning.org)13.3, 2007HTML
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Perry, JeffreyReviewReview of Allen Forte, The Atonal Music of Anton Webern (Yale University Press, 1999)6.1, 2000HTML/Frames
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Perry, JeffreyReviewReview of M. J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe (Cambridge University Press, 2001)9.1, 2003HTML
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Pieslak, JonathanReviewReview of Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (Oxford University Press, 2003)14.1, 2008HTML
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Pomeroy, BoydReviewReview of Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin, eds. Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno (University of Rochester Press, 2015)22.4, 2016HTML
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Pople, AnthonyReviewReview of David Epstein, Shaping Time: Music, the Brain, and Performance (Schirmer Books, 1995)3.3, 1997HTML/Frames
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