| Author |
Type |
Title |
Volume |
Formats |
Eriksson, Tore | International Report | Four Swedish Dissertations in Music Theory | 5.3, 1999 | HTML
PDF
ASCII | Everett, Walter T. | Review | Review of Richard Middleton ed., Reading Pop: Approaches to Textual Analysis in Popular Music (Oxford University Press, 2000) | 7.6, 2001 | HTML/Frames
HTML
PDF | Espinosa, Damian | Review | Review of Annette Richards, The Free Fantasia and the Musical Picturesque: New Perspectives in Music History and Criticism (Cambridge University Press, 2001) | 10.3, 2004 | HTML
PDF | Everett, Walter T. | Article | Making Sense of Rock’s Tonal Systems | 10.4, 2004 | HTML/Frames
HTML
PDF | Everett, Yayoi Uno | Article | Parody with an Ironic Edge: Dramatic Works by Kurt Weill, Peter Maxwell Davies, and Louis Andriessen | 10.4, 2004 | HTML/Frames
HTML
PDF | Eckert, Stefan | Article | “So, you want to write a Minuet?”—Historical Perspectives in Teaching Theory | 11.2, 2005 | HTML/Frames
HTML
PDF | Easley, David B. | Review | Review of Christopher Alan Reynolds, Motives for Allusion: Context and Content in Nineteenth-Century Music (Harvard University Press, 2003) | 14.1, 2008 | HTML
PDF | Endrinal, Christopher | Article | Burning Bridges: Defining the Interverse in the Music of U2 | 17.3, 2011 | HTML
PDF | Eng, Clare Sher Ling | Review | Review of Peter Kaminsky ed., Unmasking Ravel: New Perspectives on the Music (University of Rochester Press, 2011) | 18.1, 2012 | HTML
PDF | Ewell, Philip A. | Article | Rethinking Octatonicism: Views from Stravinsky’s Homeland | 18.4, 2012 | HTML
PDF | Ewell, Philip A. | Article | “On the System of Stravinsky’s Harmony” by Yuri Kholopov: Translation and Commentary | 19.2, 2013 | HTML
PDF | Endrinal, Christopher | Review | Review of Allan Moore, Song Means: Analyzing and Interpreting Recorded Popular Song (Ashgate, 2012) | 19.4, 2013 | HTML
PDF | Ewell, Philip A. | Report | Conference Report: Inaugural Meeting of the Russian Society for Music Theory (OTM) | 19.4, 2013 | HTML
PDF | Ewell, Philip A. | Essay | The Parameter Complex in the Music of Sofia Gubaidulina | 20.3, 2014 | HTML
PDF | Easley, David B. | Article | Riff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83) | 21.1, 2015 | HTML
PDF | Emmery, Laura | Review | Review of Laurel Parsons and Brenda Ravenscroft, eds., Analytical Essays on Music by Women Composers: Concert Music, 1960–2000 (Oxford University Press, 2016) | 23.4, 2017 | HTML
PDF | Ewell, Philip A. | Essay | Introduction to the Symposium on Kendrick Lamar’s To Pimp a Butterfly | 25.1, 2019 | HTML
PDF | Ewell, Philip | Article | On the Russian Concept of Lād, 1830–1945 | 25.4, 2019 | HTML
PDF | Ewell, Philip A. | Article | Music Theory and the White Racial Frame | 26.2, 2020 | HTML
PDF | Emmery, Laura | Article | Gender Identity and Gestural Representations in Jonathan Harvey’s String Quartet No. 2 | 27.3, 2021 | HTML
PDF |
