Author Index    [Volume Index]


A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z |



Author Type Title  Volume  Formats
Renwick, WilliamArticle“A Subject of Four Notes”: William Crotch’s Experiment in Motivic Saturation0.10, 1994HTML
PDF
ASCII
Reddick, CarissaArticleBecoming at a Deeper Level: Divisional Overlap in Sonata Forms from the Late Nineteenth Century16.2, 2010HTML
PDF
Rodgers, StephenCompositionNot So Far Away18.3, 2012HTML
Reef, John S. ArticleA “Proto-Theme” in Some of J. S. Bach’s Fugal Works26.4, 2020HTML
PDF
Rings, StevenArticleA Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–200919.4, 2013HTML
PDF
Reed, Jacob and Matthew BainArticleA Tetrahelix Animates Bach: Revisualization of David Lewin’s Analysis of the Opening of the F# Minor Fugue from WTC I13.4, 2007HTML
PDF
Roeder, JohnArticleA Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen”15.1, 2009HTML
PDF
Reed, S. AlexanderArticleAn Idiom of Melodic-Harmonic Divorce: Sub-Circle Motion in Popular Music28.2, 2022HTML
PDF
Rusch, RenéArticleBeyond Homage and Critique? Schubert’s Sonata in C minor, D. 958, and Beethoven’s Thirty-Two Variations in C minor, WoO 8019.1, 2013HTML
PDF
Rockwell, JotiArticleBirdcage Flights: A Perspective on Inter-Cardinality Voice Leading15.5, 2009HTML
PDF
Rusch, René, Keith Salley and Chris StoverArticleCapturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins22.3, 2016HTML
PDF
Robison, BrianCommentaryCategory Structures and Fuzzy Sets (response to Lawrence Zbikowski) (MTO 1.4)1.5, 1995HTML
PDF
ASCII
Ravenscroft, BrendaArticleChair’s Introduction to “Form as Process: Celebrating the Work of Janet Schmalfeldt”16.2, 2010HTML
PDF
Rothstein, WilliamArticleCommon-tone Tonality in Italian Romantic Opera: An Introduction14.1, 2008HTML
PDF
Rahn, JayReviewConference Report: Symposium on Neo-Riemannian Theory, State University of New York at Buffalo, July 20-21, 20017.5, 2001HTML
PDF
Roeder, JohnArticleConstructing Transformational Signification: Gesture and Agency in Bartók’s Scherzo, Op. 14, No. 2, measures 1–3215.1, 2009HTML
PDF
Rusch, RenéArticleCrossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android”: The Role of Jazz Improvisation in the Transformation of an Intertext19.4, 2013HTML
PDF
Rothfarb, LeeArticleEarly History20.1, 2014HTML
PDF
Richards, MarkArticleFilm Music Themes: Analysis and Corpus Study22.1, 2016HTML
PDF
Rahn, JayArticleFrom Similarity to Distance; From Simplicity to Complexity; From Pitches to Intervals; From Description to Causal Explanation0.9, 1994HTML
PDF
ASCII
Rodgers, Stephen, Henry Martin and Keith WatersArticleGuest Editors’ Introduction: “The More Questions, The Better”18.3, 2012HTML
PDF
Remeš, DerekArticleHarmonizing Chorales Systematically: A Translation of G. H. Stölzel’s Kurzer und gründlicher Unterricht (Brief and Thorough Instruction), ms. c.1719–174926.3, 2020HTML
PDF
Robb, Hamish J.ArticleImagined, Supplemental Sound in Nineteenth-Century Piano Music: Towards a Fuller Understanding of Musical Embodiment21.3, 2015HTML
PDF
Rehding, AlexanderArticleInstruments of Music Theory22.4, 2016HTML
PDF
Reenan, SamArticleIntegration, Urbanity, and Multi-Dimensionality in Schoenberg’s First Quartet28.1, 2022HTML
PDF
Roeder, JohnArticleInteractions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999)26.3, 2020HTML
PDF
Roeder, JohnArticleIntroduction   15.1, 2009HTML
PDF
Rothstein, WilliamArticleLike Falling off a Log: Rubato in Chopin’s Prelude in A-flat Major, Op. 28 No. 1711.1, 2005HTML/Frames
HTML
PDF
ASCII
Rabinovitch, Gilad and Aaron Carter-EnyiArticleMelodic Organization and Sequential Ordering of Galant Schemata: Implications for Eighteenth-Century European Musicianship30.1, 2024HTML
PDF
Robison, BrianArticleModifying Interval-Class Vectors of Large Collections to Reflect Registral Proximity Among Pitches0.10, 1994HTML
PDF
ASCII
Rings, StevenArticleMusic’s Stubborn Enchantments (and Music Theory’s)24.1, 2018HTML
PDF
Rahn, JayArticlePractical Aspects of Marchetto’s Tuning4.6, 1998HTML/Frames
HTML
PDF
ASCII
Rodgers, Stephen and Tyler OsborneArticleProlongational Closure in the Lieder of Fanny Hensel26.3, 2020HTML
PDF
Roeder, JohnArticlePulse Streams and Problems of Grouping and Metrical Dissonance in Bartök’s “With Drums and Pipes”7.1, 2001HTML
PDF
Rothgeb, JohnCommentaryRe: Eytan Agmon on Functional Theory2.1, 1996HTML
PDF
ASCII
Rabinovitch, GiladArticleReimagining Historical Improvisation: An Analysis of Robert Levin’s Fantasy on Themes by W. A. Mozart, October 29, 2012 26.2, 2020HTML
PDF
Rahn, JayCommentaryReply to Smoliar’s “Mathematical Logic” (MTO 0.9, 0.10)0.10, 1994HTML
PDF
ASCII
Roemjantsew, Tamara W.International ReportReport on Two Conferences in the Netherlands6.1, 2000HTML
PDF
ASCII
Rink, JohnEssayResponse  22.2, 2016HTML
PDF
Roeder, JohnCommentaryResponse to Commentaries (on his MTO 0.5 article)0.6, 1994HTML
PDF
ASCII
Royal, Matthew S. ReviewReview of Benjamin Wardhaugh, Music, Experiment and Mathematics in England, 1653–1705 (Ashgate Press, 2008)16.4, 2010HTML
PDF
Robbie, Andrew D. ReviewReview of Brian Hulse and Nick Nesbitt eds., Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (Ashgate, 2010)18.1, 2012HTML
PDF
Roeder, JohnReviewReview of Christopher F. Hasty, Meter as Rhythm (Oxford University Press, 1997)4.4, 1998HTML
PDF
ASCII
Ramirez, Miguel J. ReviewReview of Dermot Gault, The New Bruckner: Compositional Development and the Dynamics of Revision (Ashgate, 2011)17.4, 2011HTML
PDF
Royal, Matthew S.ReviewReview of Eugene Narmour, The Analysis and Cognition of Basic Melodic Structures (University of Chicago Press, 1990) and The Analysis and Cognition of Melodic Complexity (University of Chicago Press, 1992).1.6, 1995HTML
PDF
ASCII
Rusch, RenéReviewReview of Lauri Suurpää, Death in Winterreise: Musico-Poetic Associations in Schubert’s Song Cycle (Indiana University Press, 2014)20.3, 2014HTML
PDF
Rawlins, RobertReviewReview of Mark Levine, The Jazz Theory Book (Sher Music, 1995)6.1, 2000HTML
PDF
ASCII
Rabinovitch, GiladReviewReview of Massimiliano Guido, ed., Studies in Historical Improvisation from Cantare super Librum to Partimenti (Ashgate, 2017)23.4, 2017HTML
PDF
Rodgers, StephenReviewReview of Matthew Santa, Hearing Form: Musical Analysis With and Without the Score (Routledge, 2010)16.3, 2010HTML
PDF
Raschke, Peter J.ReviewReview of Music-Theory Web Sites for the Beginner5.2, 1999HTML
PDF
ASCII
Rojo, Cristina GonzálezReviewReview of Violetta Kostka, Paulo F. de Castro, and William A. Everett, eds., Intertextuality in Music: Dialogic Composition (Routledge, 2021)30.1, 2024HTML
PDF
Remeš, DerekArticleSome (Dis)Assembly Required: Modularity in the Keyboard Improvisation Pedagogy of Jacob Adlung and Johann Vallade26.1, 2020HTML
PDF
Rogers, Nancy and Michael BuchlerArticleSquare Dance Moves and Twelve-Tone Operators: Isomorphisms and New Transformational Models9.4, 2003PDF
PDF/Frames
Rao, Nancy YunhwaArticleThe Concept of Shi: Chinese Aesthetics and Happy Rain on a Spring Night (2004)26.3, 2020HTML
PDF
Ricci, AdamArticleThe Progress of a Motive in Brahms’s Intermezzo op. 119, no. 313.3, 2007HTML
PDF
Rothstein, WilliamCommentaryThe Tristan Chord in Historical Context: A Response to John Rothgeb (MTO 1.1)1.3, 1995HTML
PDF
ASCII
Rothgeb, JohnArticleThe Tristan Chord: Identity and Origin1.1, 1995HTML
PDF
ASCII
Rodgers, StephenArticleThinking (and Singing) in Threes: Triple Hypermeter and the Songs of Fanny Hensel17.1, 2011HTML
PDF
Richards, MarkArticleTonal Ambiguity in Popular Music’s Axis Progressions23.3, 2017HTML
PDF
Roeder, JohnArticleToward a Semiotic Evaluation of Music Analyses0.5, 1993HTML
PDF
ASCII
Rabinovitch, Gilad and Johnandrew SlominskiArticleTowards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation21.3, 2015HTML
PDF
Reenan, Samuel and Richard BassArticleTypes and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music22.2, 2016HTML
PDF
Rifkin, DeborahArticleVisualizing Peter: The First Animated Adaptations of Prokofiev’s Peter and the Wolf24.2, 2018HTML
PDF
Rahn, JayArticleWas Mesopotamian Tuning Diatonic? A Parsimonious Answer28.1, 2022HTML
PDF

     Show all authors

SMT