Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Ng, SamuelArticleMusical Eschatology in Contemporary Christian Worship Songs28.4, 0HTML
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Neumeyer, DavidArticleSchoenberg at the Movies: Dodecaphony and Film0.1, 1993HTML
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Judd, RobertCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993HTML
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Kosovsky, RobertCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993HTML
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London, JustinArticleLoud Rests and Other Strange Metric Phenomena (or, Meter as Heard)0.2, 1993HTML
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Neumeyer, DavidCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993HTML
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O'Donnell, ShaugnCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993HTML
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Smoliar, StephenCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993HTML
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Judd, RobertCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993HTML
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Lester, JoelCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993HTML
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Lindley, Mark and Ronald Turner-SmithArticleAn Algebraic Approach to Mathematical Models of Scales0.3, 1993HTML
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London, JustinCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993HTML
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Parncutt, RichardCommentaryCommentary on Justin London (MTO 0.2) 0.3, 1993HTML
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Smoliar, StephenCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993HTML
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McNamee, Ann K.ArticleGrazyna Bacewicz’s Second Piano Sonata (1953): Octave Expansion and Sonata Form0.4, 1993HTML
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Roeder, JohnArticleToward a Semiotic Evaluation of Music Analyses0.5, 1993HTML
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Rahn, JayCommentaryReply to Smoliar’s “Mathematical Logic” (MTO 0.9, 0.10)0.10, 1994HTML
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Renwick, WilliamArticle“A Subject of Four Notes”: William Crotch’s Experiment in Motivic Saturation0.10, 1994HTML
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Robison, BrianArticleModifying Interval-Class Vectors of Large Collections to Reflect Registral Proximity Among Pitches0.10, 1994HTML
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Smoliar, StephenCommentaryMathematical Logic: Response to Jay Rahn (MTO 0.9, 0.10)0.10, 1994HTML
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Covach, JohnArticleDestructuring Cartesian Dualism in Musical Analysis0.11, 1994HTML
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Krims, AdamArticleBloom, Post-Structuralism(s), and Music Theory0.11, 1994HTML
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Lewin, David B.CommentaryCommentary on Roeder (MTO 0.5)0.6, 1994HTML
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Parncutt, RichardInternational ReportReview of the 1993 Conference of the Society for Music Perception and Cognition0.6, 1994HTML
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Roeder, JohnCommentaryResponse to Commentaries (on his MTO 0.5 article)0.6, 1994HTML
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Smoliar, StephenArticleComputers Compose Music, But Do We Listen?0.6, 1994HTML
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Smoliar, StephenCommentaryCommentary on Roeder (MTO 0.5)0.6, 1994HTML
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Alphonce, Bo H.ArticleDissonance and Schumann’s Reckless Counterpoint0.7, 1994HTML
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Harley, JamesCommentaryCommentary on Stephen Smoliar (MTO 0.6)0.7, 1994HTML
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Kopiez, ReinhardInternational ReportReport on the Jahrestagung der Deutschen Gesellschaft fuer Musikpsycologie (DGM), Muenster, 10-12 September, 1993, trans. Richard Parncutt0.7, 1994HTML
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Littlefield, RichardCommentaryCommentary on John Roeder (MTO 0.5)0.7, 1994HTML
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Judd, RobertArticleComposers, Performers and Notation: Solo Music Notations in Europe, 1500-17000.8, 1994HTML
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Killam, RosemaryArticleFeminist Theories—Process and Continua0.8, 1994HTML
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Klumpenhouwer, HenryArticleSome Remarks on the Use of Riemann Transformations0.9, 1994HTML
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Rahn, JayArticleFrom Similarity to Distance; From Simplicity to Complexity; From Pitches to Intervals; From Description to Causal Explanation0.9, 1994HTML
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Clampitt, DavidInternational ReportReport: An International Symposium of Music and Mathematics (Bucharest, Romania)1.1, 1995HTML
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Cochrane, Richard J.ArticleThe Phases of Fire1.1, 1995HTML
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Cochrane, Richard J.CommentaryThe Ideal Four Minutes and Thirty-Three Seconds: Response to John Covach (MTO 0.11)1.1, 1995HTML
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Covach, JohnCommentaryMusical Worlds and the Metaphysics of Analysis1.1, 1995HTML
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Krims, AdamCommentaryOn the Fear of Losing Our Tools (A Response to Joseph N. Straus) (MTO 1.1)1.1, 1995HTML
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Rothgeb, JohnArticleThe Tristan Chord: Identity and Origin1.1, 1995HTML
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Smoliar, StephenCommentaryMusical Objects: Response to John Covach (MTO 0.11)1.1, 1995HTML
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Straus, Joseph N.CommentaryPost-structuralism and Music Theory: A Response to Adam Krims (MTO 0.11)1.1, 1995HTML
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Demske, Thomas R.ArticleOn Considering a Computational Model of Similarity Analysis1.2, 1995HTML
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Forte, AllenCommentaryTristan Redux: Comments on John Rothgeb’s Article on the Tristan Chord in MTO 1.1 (MTO 1.1)1.2, 1995HTML
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Demske, Thomas R.CommentaryResponse to Parncutt (MTO 1.3)1.3, 1995HTML
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Hermann, RichardCommentaryTowards a New Analytic Method for Post-Tonal Music: Response to Demske (MTO 1.2)1.3, 1995HTML
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Johnson, TimothyArticleThe Computer Presentation of Musical Research: A Case Study1.3, 1995HTML
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Kopp, DavidArticleOn the Function of Function1.3, 1995HTML
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London, JustinCommentaryMisreading Meyer: A Reply to Cochrane (MTO 1.1)1.3, 1995HTML
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Parncutt, RichardCommentaryResponse to Demske: Relating Sets1.3, 1995HTML
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Rothstein, WilliamCommentaryThe Tristan Chord in Historical Context: A Response to John Rothgeb (MTO 1.1)1.3, 1995HTML
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Smoliar, StephenReviewReview of Robert Cogan, New Images of Musical Sound (Harvard University Press, 1984)1.3, 1995HTML
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Code, David LobergArticleListening for Schubert’s “Doppelgängers”1.4, 1995HTML
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Cuciurean, JohnReviewReview of Mark Lindley’s and Ronald Turner-Smith’s Mathematical Models of Musical Scales: A New Approach (Verlag fuer systematische Musikwissenschaft, 1993)1.4, 1995HTML
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Demske, Thomas R.CommentaryReply to Richard Hermann (MTO 1.3)1.4, 1995HTML
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Zbikowski, LawrenceArticleTheories of Categorization and Theories of Music1.4, 1995HTML
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Covach, JohnArticleSchoenberg’s Turn to an “Other” World1.5, 1995HTML
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Robison, BrianCommentaryCategory Structures and Fuzzy Sets (response to Lawrence Zbikowski) (MTO 1.4)1.5, 1995HTML
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Schubert, Peter N.ReviewReview of Joachim Burmeister; Benito V. Rivera trans., Musical Poetics (Yale University Press, 1993)1.5, 1995HTML
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Toorn, Pieter C. van denArticleA Response to Richard Taruskin’s “A Myth of the Twentieth Century”1.5, 1995HTML
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Zbikowski, LawrenceCommentaryResponse to Robison, “Category Structures and Fuzzy Sets” (MTO 1.5)1.5, 1995HTML
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Pastille, WilliamArticleSchenker’s Value-Judgments1.6, 1995HTML
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Royal, Matthew S.ReviewReview of Eugene Narmour, The Analysis and Cognition of Basic Melodic Structures (University of Chicago Press, 1990) and The Analysis and Cognition of Melodic Complexity (University of Chicago Press, 1992).1.6, 1995HTML
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Littlefield, RichardArticleThe Silence of the Frames2.1, 1996HTML
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Lochhead, JudyReviewReview of Leslie C. Dunn and Nancy A. Jones eds., Embodied Voices: Representing Female Vocality in Western Culture (Cambridge University Press, 1994)2.1, 1996HTML
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McCreless, PatrickReviewReview of Jean-Jacques Nattiez, Wagner Androgyne: A Study in Interpretation (Princeton University Press, 1993)2.1, 1996HTML
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Rothgeb, JohnCommentaryRe: Eytan Agmon on Functional Theory2.1, 1996HTML
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Brown, MatthewArticle“Adrift on Neurath’s Boat”: The Case for a Naturalized Music Theory2.2, 1996HTML
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Burnham, ScottArticleTheorists and “The Music Itself”2.2, 1996HTML
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Dubiel, JosephArticleOn Getting Deconstructed2.2, 1996HTML
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Guck, MarionArticleMusic Loving, Or the Relationship with the Musical Work2.2, 1996HTML
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McCreless, PatrickArticleContemporary Music Theory and the New Musicology: An Introduction2.2, 1996HTML
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Agmon, EytanCommentaryConventional Harmonic Wisdom and the Scope of Schenkerian Theory: A Reply to John Rothgeb (MTO 2.1)2.3, 1996HTML
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Castine, PeterInternational ReportReview of John Cage Symposium (Berlin, Germany)2.3, 1996HTML
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Dempster, DouglasReviewReview of Peter Kivy, The Fine Art of Repetition (Cambridge University Press, 1993)2.3, 1996HTML
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Willner, ChannanArticleMore on Handel and the Hemiola: Overlapping Hemiolas2.3, 1996HTML
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Agawu, KofiArticleAnalyzing Music Under the New Musicological Regime2.4, 1996HTML
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Agmon, EytanArticleBeethoven’s Op. 81a and the Psychology of Loss2.4, 1996HTML
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Berman, Nancy M.ReviewReview of Glenn Watkins, Pyramids at the Louvre (Harvard University Press, 1994)2.4, 1996HTML
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Mailman, JoshCommentaryThe Aims of Music Theory and Neurath’s Boat: A Reply to Jonathan Walker and Matthew Brown (MTO 2.2)2.4, 1996HTML
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Walker, JonathanCommentaryThe Deconstruction of Musicology: Poison or Cure?2.4, 1996HTML
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Castine, PeterInternational ReportReview of “The Beginnings of Serial Music,” Berlin, Germany, June 20–25, 19962.5, 1996HTML
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Clendinning, JaneReviewReview of Miguel A. Roig-Francoli, “Harmonic and Formal Processes in Ligeti’s Net-Structure Compositions,” Music Theory Spectrum (17/2), 242–2672.5, 1996HTML
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Schulenberg, David L.CommentaryCommentary on Channan Willner: “More on Handel and the Hemiola” (MTO 2.3)2.5, 1996HTML
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Wibberley, RogerArticleJosquin’s Ave Maria: Musica Ficta versus Mode2.5, 1996HTML
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Bent, MargaretCommentaryDiatonic ficta Revisited: Josquin’s Ave Maria in Context (MTO 2.5)2.6, 1996HTML
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Broman, Per F.International ReportReport from the Three Seminars on Contemporary Music with Connection to the ISCM World Music Days in Copenhagen, 19962.6, 1996HTML
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Grauer, VictorArticleToward a Unified Theory of the Arts2.6, 1996HTML
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Schaffer, John Wm.ReviewReview of Peter Castine’s Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal Music (Peter Lang, 1994)2.6, 1996HTML
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Walker, JonathanCommentaryIntonational Injustice: A Defense of Just Intonation in the Performance of Renaissance Polyphony2.6, 1996HTML
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Fox, Donna BrinkReviewReview of Harold Abeles, Charles Hoffer, and Robert Klotman, Foundations of Music Education, 2nd ed. (Schirmer Books, 1995)2.7, 1996HTML
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Gruber, Gerold W.International ReportReview of the 3rd Congress for Music Theory, Vienna, Austria, May 10-12, 19962.7, 1996HTML
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Isaacson, Eric J.ArticleIssues in the Study of Similarity in Atonal Music2.7, 1996HTML
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Wibberley, RogerCommentary“Mode versus Ficta” in Context (response to Bent, MTO 2.6)2.7, 1996HTML
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Wild, JonathanReviewA Review of David Huron, The Humdrum Toolkit: UNIX Tools for Musical Research2.7, 1996HTML
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Willner, ChannanCommentaryHandel, the Sarabande, and Levels of Genre: A Reply to David Schulenberg (MTO 2.5)2.7, 1996HTML
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Agmon, EytanArticleThe Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord3.1, 1997HTML
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Douw, Andre M. and Michiel C. SchuijerInternational ReportMusic Theory at the Amsterdam School of Music3.1, 1997HTML
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Friedmann, MichaelReviewReview of Nicolas Marston, Beethoven’s Piano Sonata in E, op. 109 (Clarendon Press, 1995)3.1, 1997HTML
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Fuller, SarahReviewReview of Raymond Erickson trans., and Claude V. Palisca ed., Musica Enchiriadis and Scolica Enchiriadis (Yale University Press, 1995) 3.1, 1997HTML
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Killam, RosemaryArticleCognitive Dissonance: Should Twentieth-century Women Composers Be Grouped with Focault’s Mad Criminals?3.2, 1997HTML
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Latham, Edward D.ReviewReview of Ethan Haimo, “Atonality Analysis, and the Intentional Fallacy,” Music Theory Spectrum (18/2), 167-1993.2, 1997HTML
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Haimo, Ethan T.CommentaryLinear Analysis—A Cure for Pitch-Class Set Analysis?: A Reply (MTO 3.2)3.3, 1997HTML
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Morse, Michael WilliamCommentaryTo Rosemary Killam: An Open Letter and Reply (MTO 3.2)3.3, 1997HTML/Frames
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Pople, AnthonyReviewReview of David Epstein, Shaping Time: Music, the Brain, and Performance (Schirmer Books, 1995)3.3, 1997HTML/Frames
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Taylor, Stephen A.ArticleChopin, Pygmies, and Tempo Fugue: Ligeti's "Automne a Varsovie"3.3, 1997HTML/Frames
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Barnes, LarryReviewReview of J. Kent Williams, Theories and Analyses of Twentieth-Century Music (Harcourt Brace and Company, 1997)3.4, 1997HTML
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Broman, Per F.International ReportReport from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 19973.4, 1997HTML
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Cheong, Wai-LingInternational ReportTheory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music3.4, 1997HTML
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Killam, RosemaryCommentaryResponse to Professor Morse's Open Letter (MTO 3.3)3.4, 1997HTML
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London, JustinCommentaryA Different Response to Killam (MTO 3.2, 3.3)3.4, 1997HTML
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Marvin, William M.ReviewReview of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training (W.W. Norton and Company, 1997)3.4, 1997HTML
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Meeus, NicolasInternational ReportMusic Theory and Analysis in France and Belgium3.4, 1997HTML
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Brinkman, Alexander and Elizabeth West MarvinArticleUsing the Tools to Teach the Tools: Teaching Multimedia Programming in Music Curricula3.5, 1997HTML/Frames
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Headlam, DaveArticleMultimedia for Music Study on the Web: Director from Macromedia3.5, 1997HTML/Frames
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Hermann, RichardInternational ReportReflexive Postmodern Anthropology Meets Musical “Modernism”: Georgina Born’s Rationalizing Culture. A Review of IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde.3.5, 1997HTML/Frames
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McNamee, Ann K.ArticlePublishing and Pedagogy Using Multimedia on the World-Wide Web3.5, 1997HTML/Frames
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Broman, Per F.International ReportReport from the “Skagerack Network” Analysis Workshop at Lyseby Conference Center in Oslo, Norway, November 20–23, 19974.1, 1998HTML/Frames
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Weisser, BenedictReviewReview of David Cope, Techniques of the Contemporary Composer (Schirmer Books, 1997)4.1, 1998HTML/Frames
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Zbikowski, LawrenceArticleMetaphor and Music Theory: Reflections from Cognitive Science4.1, 1998HTML/Frames
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Alpern, WayneReviewReview Article, “Will the Real Anton Webern Please Stand Up?”: Anne C. Shreffler, Webern and the Lyric Impulse (Oxford University Press, 1994)4.2, 1998HTML/Frames
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Cohn, RichardArticleMusic Theory’s New Pedagogability4.2, 1998HTML/Frames
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Lester, JoelArticleHow Theorists Relate To Musicians4.2, 1998HTML/Frames
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Lochhead, Judith I.ArticleRetooling the Technique4.2, 1998HTML/Frames
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McCreless, PatrickArticleMusic Theory as Community: A Perspective from the Late ’90’s4.2, 1998HTML/Frames
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Morris, Robert D.ArticleIntroduction to Panorama of Music Theory, 1987–974.2, 1998HTML/Frames
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Schmalfeldt, JanetArticleOn Keeping the Score4.2, 1998HTML/Frames
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Straus, Joseph N.ArticleSMT 1997 Plenary Session: Introductory Remarks4.2, 1998HTML/Frames
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Mengozzi, StefanoReviewReview of Lionel Pike, Hexachords in Late-Renaissance Music (Ashgate, 1998)4.3, 1998HTML/Frames
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Soderberg, StephenArticleWhite Note Fantasy4.3, 1998HTML/Frames
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Vlagopoulos, PanosInternational ReportMusic Theory In Greece4.3, 1998HTML
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Lewin, David B.ArticleThe D major Fugue Subject from WTC II: Spatial Saturation?4.4, 1998HTML/Frames
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Roeder, JohnReviewReview of Christopher F. Hasty, Meter as Rhythm (Oxford University Press, 1997)4.4, 1998HTML
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Scholtz, Kenneth P.ArticleAlgorithms for Mapping Diatonic Keyboard Tunings and Temperaments4.4, 1998HTML/Frames
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James, TessInternational ReportCelibidache and Bruckner4.5, 1998HTML
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Wibberley, RogerArticleJ. S. Bach’s Prelude and Fugue in E Flat (BWV 522,1/2): An Inspiration of the Heart?4.5, 1998HTML/Frames
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Grave, FloydReviewReview of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (Oxford University Press, 1998)4.6, 1998HTML
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Rahn, JayArticlePractical Aspects of Marchetto’s Tuning4.6, 1998HTML/Frames
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Boss, Jack F.Article“Schenkerian-Schoenbergian Analysis” and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 15.1, 1999HTML/Frames
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James, TessEssayHans Rott (1858–1884)—The Missing Link Between Bruckner and Mahler5.1, 1999HTML
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Vlagopoulos, PanosInternational ReportReport on the First Symposium On Computer and Music in Corfu, Greece (23–25 October 1998)5.1, 1999HTML
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Luchese, DianeReviewReview of Anthony Pople, Messiaen: Quatuor pour la fin du Temps (Cambridge University Press, 1998)5.2, 1999HTML
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Raschke, Peter J.ReviewReview of Music-Theory Web Sites for the Beginner5.2, 1999HTML
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Soderberg, StephenArticleWhite Note Fantasy, Part II: A Few Hypertonal Variations5.2, 1999HTML/Frames
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Buhler, JamesReviewReview of Roger Scruton, The Aesthetics of Music (Clarendon Press, 1997)5.3, 1999HTML
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Eriksson, ToreInternational ReportFour Swedish Dissertations in Music Theory5.3, 1999HTML
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Koozin, TimothyArticleOn Metaphor, Technology, and Schenkerian Analysis5.3, 1999HTML/Frames
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Shockwave
Temperley, DavidReviewReview of Joseph Swain, Musical Languages (W.W. Norton & Company, 1997)5.3, 1999HTML
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Damschroder, David A.ReviewReview of Carl Schachter, ed., Unfoldings: Essays in Schenkerian Theory and Analysis (Oxford University Press, 1999)5.4, 1999HTML
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Hofmann-Engl, LudgerReviewReview of W.B. Hewlett and E. Selfridge-Field eds., Melodic Similarity: Concepts, Procedures, and Applications (MIT Press, 1999).5.4, 1999HTML
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James, TessInternational ReportReview of Zbigniew Preisner, Requiem for My Friend5.4, 1999HTML
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Perrott, DavidReviewReview of Laurent Fichet, Les theories scientifiques de la musique (Librairie philosophique J. Vrin, 1996)5.4, 1999HTML
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Schaffer, John Wm.ReviewReview of Eleanor Selfridge-Field, Beyond MIDI: The Handbook of Musical Codes (MIT Press, 1997)5.4, 1999HTML
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Agawu, KofiArticleResponse to 1999 SMT International Plenary Session6.1, 2000HTML
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Anku, WillieArticleCircles and Time: A Theory of Structural Organization of Rhythm in African Music6.1, 2000HTML/Frames
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Jenkins, J. DanielReviewReview of David Schiff, The Music of Elliott Carter, 2nd ed. (Cornell University Press, 1998)6.1, 2000HTML
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Martinez, José LuisArticleSemiotics and the Art Music of India6.1, 2000HTML/Frames
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Meeus, NicolasArticleToward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions6.1, 2000HTML/Frames
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Mirka, DanutaArticleTexture in Penderecki’s Sonoristic Style6.1, 2000HTML/Frames
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Perry, JeffreyReviewReview of Allen Forte, The Atonal Music of Anton Webern (Yale University Press, 1999)6.1, 2000HTML/Frames
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Rawlins, RobertReviewReview of Mark Levine, The Jazz Theory Book (Sher Music, 1995)6.1, 2000HTML
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Roemjantsew, Tamara W.International ReportReport on Two Conferences in the Netherlands6.1, 2000HTML
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Vetter, RogerReviewReview of Michelle Kisliuk, Seize the Dance: BaAka Musical Life and the Ethnography of Performance (Oxford University Press, 1998)6.1, 2000HTML
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Heinonen, YrjoReviewReview of Walter Everett, The Beatles as Musicians: Revolver Through the Anthology (Oxford University Press, 1999)6.2, 2000HTML
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Monelle, RaymondCommentaryMartinez’s Concept of “Intrinsic Semiosis” (Commentary on Martinez, MTO 6.1)6.2, 2000HTML
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Tenzer, MichaelArticleTheory and Analysis of Melody in Balinese Gamelan6.2, 2000HTML/Frames
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Agrawal, Susan MinaReviewReview of John Irving, Mozart: The “Haydn” Quartets6.3, 2000HTML
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Dubiel, JosephArticleAnalysis, Description, and What Really Happens6.3, 2000HTML
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Forte, AllenArticleResponses to Plenary Session Papers, NECMT 20006.3, 2000HTML/Frames
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Hisama, Ellie M.ArticleLife Outside the Canon? A Walk on the Wild Side6.3, 2000HTML/Frames
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Kaminsky, Peter M.ArticleRevenge of the Boomers: Notes on the Analysis of Rock Music6.3, 2000HTML/Frames
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Karpinski, Gary S.ArticleLessons from the Past: Music Theory Pedagogy and the Future6.3, 2000HTML/Frames
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McCreless, PatrickArticleMusic Theory and Historical Awareness6.3, 2000HTML/Frames
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Wai-Ling, CheongReportIdentity and Influence: New Music Research at Wuhan Music Conservatory6.3, 2000HTML
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Harrison, DanielArticleTolling Time6.4, 2000HTML/Frames
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Samarotto, FrankReview“The Body that Beats”: Review of Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann (Oxford University Press, 1999)6.4, 2000HTML/Frames
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Berry, David CarsonReviewReview of Philip Furia, Irving Berlin: A Life In Song (Schirmer Books, 1998)6.5, 2000HTML/Frames
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Perry, JeffreyArticleMusic, Evolution and the Ladder of Progress6.5, 2000HTML/Frames
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Hoeckner, BertholdArticlePoet’s Love and Composer’s Love7.5, 2000HTML/Frames
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Dibben, NicolaReviewReview of Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis (Oxford University Press, 2002)10.4, 2001HTML
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Horlacher, Gretchen G.ArticleBartók’s “Change of Time”: Coming Unfixed7.1, 2001HTML/Frames
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Roeder, JohnArticlePulse Streams and Problems of Grouping and Metrical Dissonance in Bartök’s “With Drums and Pipes”7.1, 2001HTML
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Cook, NicholasArticleBetween Process and Product: Music and/as Performance7.2, 2001HTML/Frames
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Wannamaker, Robert A.ArticleStructure and Perception in Herma by Iannis Xenakis7.3, 2001HTML/Frames
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Huron, DavidArticleWhat is a Musical Feature? Forte’s Analysis of Brahms’s Opus 51, No. 1, Revisited7.4, 2001HTML/Frames
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Walker, JonathanReviewReview of Adam Krims, Rap Music and the Poetics of Identity (Cambridge University Press, 2000)7.4, 2001HTML/Frames
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Novak, JohnReviewReview of Amanda Bayley ed., The Cambridge Companion to Bartök (Cambridge University Press, 2001)7.5, 2001HTML
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Rahn, JayReviewConference Report: Symposium on Neo-Riemannian Theory, State University of New York at Buffalo, July 20-21, 20017.5, 2001HTML
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Butler, Mark J.ArticleTurning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music7.6, 2001HTML/Frames
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Everett, Walter T.ReviewReview of Richard Middleton ed., Reading Pop: Approaches to Textual Analysis in Popular Music (Oxford University Press, 2000)7.6, 2001HTML/Frames
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Dodson, AlanArticlePerformance and Hypermetric Transformation: An Extension of the Lerdahl-Jackendoff Theory8.1, 2002HTML/Frames
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Quaglia, BruceReviewReview of Bryan Simms, The Atonal Music of Arnold Schoenberg 1908-1923 (Oxford, 2000)8.1, 2002HTML
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Benitez, Vincent P.ArticleSimultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera, Saint François d’Assise8.2, 2002HTML/Frames
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Cantrick, RobertCommentaryCommentary on Nicholas Cook, “Theorizing Musical Meaning,” Music Theory Spectrum 23/2 (2001)8.2, 2002HTML
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Cook, NicholasCommentaryReply to Robert Cantrick8.2, 2002HTML
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Krebs, HaraldReviewReview of David Ferris, Schumann’s Eichendorff Liederkreis and the Genre of the Romantic Cycle (Oxford University Press, 2000)
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Lochhead, JudyReviewReview of Ellie M. Hisama, Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (Cambridge University Press, 2001)9.2, 2003HTML/Frames
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Gauldin, RobertArticleKeynote Address, Twenty-seventh Annual SMT Conference in Seattle, WA, “Tragic Love and Musical Memory”10.4, 2004HTML/Frames
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Hatten, Robert S.ArticleIntroduction (to the Special Issue on Performance and Analysis)11.1, 2005HTML
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Kaminsky, PeterReviewReview of Yrjö Heinonen et al., Beatlestudies 3: Proceedings of the BEATLES 2000 Conference (University of Jyväskylä Press, 2001)11.1, 2005HTML
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Goldenberg, YosefArticleA Musical Gesture of Growing Obstinacy12.2, 2006HTML/Frames
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Murphy, ScottArticleThe Major Tritone Progression in Recent Hollywood Science Fiction Films12.2, 2006HTML/Frames
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Duffin, Ross W.ArticleJust Intonation in Renaissance Theory and Practice12.3, 2006HTML/Frames
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Neidhöfer, ChristophArticleBruno Maderna’s Serial Arrays13.1, 2007HTML
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Butterfield, Matthew W.CommentaryResponse to Fernando Benadon13.3, 2007HTML
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Foley, GretchenCommentaryThe Efficacy of K-Nets in Perlean Theory13.3, 2007HTML
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Sallmen, MarkArticleListening to the Music Itself: Breaking Through the Shell of Elliott Carter’s “In Genesis”13.3, 2007HTML
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Martens, Peter A.ArticleGlenn Gould’s “Constant Rhythmic Reference Point”:
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Mawer, DeborahArticleExploring Complementation in Bartók’s Third Quartet13.4, 2007HTML
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Donin, Nicolas and Jonathan GoldmanArticleCharting the Score in a Multimedia Context: the Case of Paradigmatic Analysis14.4, 2008HTML
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Attas, RobinArticleMetaphors in Motion: Agents and Representation in Transformational Analysis15.1, 2009HTML
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Bor, MustafaArticleSonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 615.1, 2009HTML
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Boss, JackReviewReview of Michael Cherlin, Schoenberg’s Musical Imagination (Cambridge University Press, 2007)15.1, 2009HTML
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Lind, Stephanie and John RoederArticleTransformational Distance and Form in Berg’s “Schlafend trägt man mich”15.1, 2009HTML
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Roeder, JohnArticleIntroduction   15.1, 2009HTML
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Roeder, JohnArticleA Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen”15.1, 2009HTML
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Attinello, PaulEssayTime, Work, and Chronic Illness15.3, 2009HTML
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Straus, Joseph EssayIntroduction  15.3, 2009HTML
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Rockwell, JotiArticleBirdcage Flights: A Perspective on Inter-Cardinality Voice Leading15.5, 2009HTML
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Schmalfeldt, Janet ArticleResponse to Mike Cheng-Yu Lee16.2, 2010HTML
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Schmalfeldt, Janet ArticleResponse to Carissa Reddick16.2, 2010HTML
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Jenkins, J. DanielArticleAfter the Harvest: Carter’s Fifth String Quartet and the Late Late Style16.3, 2010HTML
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